Rosario Damico
Rosario D'Amico, born in Messina in 1978, is graduated in Statistical, Demographic and Social Sciences.
He published some essays regarding the topic of interpretation of probability and its theological-philosophical implications.
He published some essays regarding the topic of interpretation of probability and its theological-philosophical implications.
less
InterestsView All (294)
Uploads
****************************************************************************************
In this paper, we reflect - from a purely logic point of view- on the credibility of a central aspect of the Christian message, that is, on what can be formulated through the following question:
Is it reasonable to believing in a God creator, omnipotent and infinitely good who, paradoxically, became human, lived as a human and died by choosing the infamous and cruel death on the cross? The answer we provide will be positive.
If an event E has a constant probability p of occurrence on any one trial, and has occurred m times in n trials, then, if the relative frequency of E, m/n, approaches the value of a limit point l and the accuracy of the approximation increases as the number of trials increases, we have l = p.
The argument we propose is based on the concepts of "event" and "trial", formulated in a recent paper by the author himself, and their direct implications.
Secondly, I will try to show why and to what extent what the individual considers ugly or beautiful is significantly influenced by the socio-cultural context in which he lives and by the aesthetic beliefs of the community to which he belongs to.
**********************************************************************
In questo articolo, mi propongo principalmente di analizzare quello che ritengo essere il requisito necessario e sufficiente per l’esperienza estetica del bello, ossia il naturale desiderio dell’uomo di vincere i propri limiti e le inevadibili costrizioni che la vita quotidiana gli impone, il suo voler essere incoercibile, il suo inappagabile anelito di potenza. Si tratta di un elemento considerevole perché fornisce alcune importanti indicazioni sulla natura di ciò che è giudicato bello e, conseguentemente, sul perché gli uomini siano innamorati della bellezza, considerandola, al suo massimo grado, una proprietà dell’Assoluto, di Dio, legata indissolubilmente alla Sua Onnipotenza e incontrastabile capacità di creare.
In secondo luogo, cercherò di mostrare perché e in che misura ciò che il singolo considera brutto o bello è influenzato in maniera significativa dal contesto socioculturale in cui egli vive e dal credo estetico della comunità cui appartiene.
If an event E has a constant probability p of occurrence on any one trial, and has ccurred m times in n trials, then, if the relative frequency of E, m/n, approaches the value of a limit point l and the accuracy of the approximation increases as the number of trials increases, we have l = p.
The argument we propose is based on the concepts of "event" and "trial", formulated by the author himself, and their direct implications.
****************************************************************************************
In this paper, we reflect - from a purely logic point of view- on the credibility of a central aspect of the Christian message, that is, on what can be formulated through the following question:
Is it reasonable to believing in a God creator, omnipotent and infinitely good who, paradoxically, became human, lived as a human and died by choosing the infamous and cruel death on the cross? The answer we provide will be positive.
If an event E has a constant probability p of occurrence on any one trial, and has occurred m times in n trials, then, if the relative frequency of E, m/n, approaches the value of a limit point l and the accuracy of the approximation increases as the number of trials increases, we have l = p.
The argument we propose is based on the concepts of "event" and "trial", formulated in a recent paper by the author himself, and their direct implications.
Secondly, I will try to show why and to what extent what the individual considers ugly or beautiful is significantly influenced by the socio-cultural context in which he lives and by the aesthetic beliefs of the community to which he belongs to.
**********************************************************************
In questo articolo, mi propongo principalmente di analizzare quello che ritengo essere il requisito necessario e sufficiente per l’esperienza estetica del bello, ossia il naturale desiderio dell’uomo di vincere i propri limiti e le inevadibili costrizioni che la vita quotidiana gli impone, il suo voler essere incoercibile, il suo inappagabile anelito di potenza. Si tratta di un elemento considerevole perché fornisce alcune importanti indicazioni sulla natura di ciò che è giudicato bello e, conseguentemente, sul perché gli uomini siano innamorati della bellezza, considerandola, al suo massimo grado, una proprietà dell’Assoluto, di Dio, legata indissolubilmente alla Sua Onnipotenza e incontrastabile capacità di creare.
In secondo luogo, cercherò di mostrare perché e in che misura ciò che il singolo considera brutto o bello è influenzato in maniera significativa dal contesto socioculturale in cui egli vive e dal credo estetico della comunità cui appartiene.
If an event E has a constant probability p of occurrence on any one trial, and has ccurred m times in n trials, then, if the relative frequency of E, m/n, approaches the value of a limit point l and the accuracy of the approximation increases as the number of trials increases, we have l = p.
The argument we propose is based on the concepts of "event" and "trial", formulated by the author himself, and their direct implications.