Papers by Susanne Neubauer
Third text, Nov 2, 2017
Abstract This article seeks to elaborate on the immanent aspects of the slide as an object that –... more Abstract This article seeks to elaborate on the immanent aspects of the slide as an object that – due to its ‘thingness’ in different cultural realms – was able to ‘migrate’ transculturally. The example I would like to present for this approach is the work of the British Chinese artist, curator, and poet Li Yuan-chia (1929–1994), who took a number of astonishing slides, which were found in his house after he died. My research focuses on the different practices applied to these polydimensional objects – especially when selected for retrospective exhibitions, and presented in an altered form. This article seeks to respond to and examine the idea that meaning is attributed to (Western) objects in exhibitions of a (Western) cultural background, and that objects like slides, traditionally seen as an achievement of Western culture and communication, can also propose processes that question the contextual framings of our exhibition practices.
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Theory, Culture & Society, Dec 1, 2010
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transcript Verlag eBooks, Jun 22, 2022
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ARS, Apr 13, 2018
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Histoire
Brasilien gehörte in der Nachkriegszeit zu den aufstrebenden Ländern, mit denen die junge Bundesr... more Brasilien gehörte in der Nachkriegszeit zu den aufstrebenden Ländern, mit denen die junge Bundesrepublik kulturpolitische Verbindungen etablierte. Anhand der vielfältigen Modernitätsbestrebungen in Brasilien und Deutschland analysiert und vergleicht Susanne Neubauer die Verflechtungen zwischen Museumspolitiken, (Re-)Demokratisierungsbestrebungen und dem disziplinübergreifenden Diskurs um das Menschenbild nach der Zäsur des Zweiten Weltkriegs. Aus außereuropäischer Perspektive wirft sie einen Blick auf die Wertungen des Menschen in den kulturellen Umwelten und beleuchtet damit Mechanismen der Entwicklung westlicher Kanonisierungen der modernen Kunst.
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Histoire
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Papers by Susanne Neubauer