This major new reading of the novels of Thomas Hardy, by leading critic George Levine, disentangl... more This major new reading of the novels of Thomas Hardy, by leading critic George Levine, disentangles the author's often elaborately distanced prose from his beautiful poetic and precise renderings of the natural world. Clear, direct and minimally academic in his own writing, Levine provides an overview of Hardy's entire fictional canon, with extensive discussions of his early and late novels including his last, The Well-Beloved. Levine draws new attention to the way Hardy absorbed both the ideas and the writing strategies of Charles Darwin, and develops new perspectives first articulated in the criticism of great novelists - in particular Virginia Woolf and D. H. Lawrence. Levine departs from the critical norm by reading Hardy in the context of his deep feeling for the natural world and all living things, and the implicit affirmation of life that sometimes drives his bleakest narratives.
... implied in an essay on "Pope Huxley"14incorporate into science the... more ... implied in an essay on "Pope Huxley"14incorporate into science the structure (if not the ... it is not merely a sentimental humanism that has had difficulty with the idea of objectivity. How can we, as Bacon required, "lay our notions by?" The great authority science has achieved ...
To my astonishment, I find myself not “old,” not as we all feel at least for moments during middl... more To my astonishment, I find myself not “old,” not as we all feel at least for moments during middle age, but really old: eighty-seven-years-plus as I write this piece. It won't be finished until I am eighty-eight! That hard-to-swallow fact is what allows me this rather self-indulgent retrospective on a Victorianist career that has spanned several generations of criticism and scholarship. Perhaps, I dare to think, a look back at the arc of that career might be of interest to someone beside myself, moving as it does from the time—around Christmas 1958, when I began writing on a portable electric typewriter a dissertation on George Eliot and determinism—to this moment, when writing a dissertation on a single author seems rather risky and professionally unhelpful, especially if one tries to do it on a typewriter.
This major new reading of the novels of Thomas Hardy, by leading critic George Levine, disentangl... more This major new reading of the novels of Thomas Hardy, by leading critic George Levine, disentangles the author's often elaborately distanced prose from his beautiful poetic and precise renderings of the natural world. Clear, direct and minimally academic in his own writing, Levine provides an overview of Hardy's entire fictional canon, with extensive discussions of his early and late novels including his last, The Well-Beloved. Levine draws new attention to the way Hardy absorbed both the ideas and the writing strategies of Charles Darwin, and develops new perspectives first articulated in the criticism of great novelists - in particular Virginia Woolf and D. H. Lawrence. Levine departs from the critical norm by reading Hardy in the context of his deep feeling for the natural world and all living things, and the implicit affirmation of life that sometimes drives his bleakest narratives.
... implied in an essay on "Pope Huxley"14incorporate into science the... more ... implied in an essay on "Pope Huxley"14incorporate into science the structure (if not the ... it is not merely a sentimental humanism that has had difficulty with the idea of objectivity. How can we, as Bacon required, "lay our notions by?" The great authority science has achieved ...
To my astonishment, I find myself not “old,” not as we all feel at least for moments during middl... more To my astonishment, I find myself not “old,” not as we all feel at least for moments during middle age, but really old: eighty-seven-years-plus as I write this piece. It won't be finished until I am eighty-eight! That hard-to-swallow fact is what allows me this rather self-indulgent retrospective on a Victorianist career that has spanned several generations of criticism and scholarship. Perhaps, I dare to think, a look back at the arc of that career might be of interest to someone beside myself, moving as it does from the time—around Christmas 1958, when I began writing on a portable electric typewriter a dissertation on George Eliot and determinism—to this moment, when writing a dissertation on a single author seems rather risky and professionally unhelpful, especially if one tries to do it on a typewriter.
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