Eleonor Botoman
Eleonor Botoman is a poet-critic based in New York City. She currently is a graduate student in New York University’s Experimental Humanities and Museum Studies programs, studying climate resiliency in museum architecture and environmental art curation and education.
She has held positions at a number of cultural institutions and publications including the Cooper Hewitt Smithsonian Design Museum, David Zwirner Books, Bridge Initiative, Elle Communications, Brooklyn Art Library/The Sketchbook Project, The Metropolitan Museum of Art, Artforum, Oxford University Press, Irregular Labs, Pen America, Bust Magazine, and the Center for Architecture, among others.
She has held positions at a number of cultural institutions and publications including the Cooper Hewitt Smithsonian Design Museum, David Zwirner Books, Bridge Initiative, Elle Communications, Brooklyn Art Library/The Sketchbook Project, The Metropolitan Museum of Art, Artforum, Oxford University Press, Irregular Labs, Pen America, Bust Magazine, and the Center for Architecture, among others.
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This article is written by Eleonor (Ellie) Botoman. Ellie is a poet-critic based in New York City. She currently works in PR at Elle Communications and previously worked as library coordinator at Brooklyn Art Library’s Sketchbook Archive. In this article, Ellie details the history, collection scope, challenges, and adaptations the Sketchbook Archive has undergone during its history, both before and during the COVID pandemic.
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This article is written by Eleonor (Ellie) Botoman. Ellie is a poet-critic based in New York City. She currently works in PR at Elle Communications and previously worked as library coordinator at Brooklyn Art Library’s Sketchbook Archive. In this article, Ellie details the history, collection scope, challenges, and adaptations the Sketchbook Archive has undergone during its history, both before and during the COVID pandemic.
This intersection between plastics and contemporary environmental art plays out not only on the material itself, but the very color of the material.