Sadly, there is no physical or printable version of this game right now!
Thomas || New Madras
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This is such a lovely comment, thank you! Bodies is a great touchstone, very much exactly the kind of thing I had in mind. The "keeping your theories secret but playing toward them" comes from a game called Lovecraftesque which is a sort of detective-horror game. If you haven't checked it out, you might like it - the new edition should be out soon.
Thank you again for sharing your experiences!
Thank you so much!
1. These are both great questions and I should make a note in the text somewhere. I do not suggest refilling a player's hand if their character dies. This is because it can sometimes do weird things like empty the deck. This means that it is best to see the hand as a resource of the players, not the characters. I think the only time a player's hand should be fully refilled is if we're shuffling the deck and starting a whole new sequence.
2. I'll have it up this week.
Thanks for your response! But i think I didn't explain myself properly, sorry. I am completely clued into the politics of the game but I just want to clarify the core mechanic. Say I want to do something that I think will give someone hope. If I draw a tarot card and succeed, is the default assumption that I will give them 1 hope?
Basically, I want to know if the game assumes I'll be doing three things in every location or potentially just one thing. Given that the guard are chasing me down, I assume that will affect play!
Hello, Gabriel. Yes, you can definitely use any of the text in this pamphlet in your game.
If you do, please put this text in the copyright page of your game, "... based on The Magic of Names by Thomas Manuel which is itself based on Trusted with Its True Name: An Ethical Approach to LeGuinian Magic for Games and Stories by Victor A. Gonzalez and is licensed under a CC BY SA 4.0 International License."
Thank you!
I really enjoyed reading this game and tweeted some thoughts about it: https://twitter.com/chaibypost/status/1394226347736633348?s=20
Rearguard is a rare occurrence - a third-party supplement that transforms the game that it is based on. It's both kickass gaming material and kickass games criticism.
Beam Saber is a game that has war as its backdrop. Rearguard brings some of that backdrop into focus. Each of these playbooks introduces different kinds of war stories into your Beam Saber game. Introduce more than one and you will probably tilt the entire genre and tone of your game. I'm really excited that this exists. Loved reading it and excited to get it to the table at some point.
Thanks for all the kind words!
I was thinking that the third step could have a roll to decide if the spell succeeded or failed - because I think players will find it hard to just decide and tell another player that their spell failed. But I couldn't figure out what the probability of success should be without knowing the scale of the effect, etc. In the end, I punted and didn't mechanize that part - though I may update this if I figure out a nice way to do it.
So I mod the r/pbp subreddit so I'm very interested in this topic.
My best answer is to link to the entries in the Play by Post Jam and the Correspondence Jam (70 games!) - both feature a bunch of cool games that were designed for asynchronous play. All of them by indie designers, I believe.
If you want a D&D version built for pbp, check out D20 Go - I've heard good things about it, though no personal experience. Of course, many ruleslite OSR games work well but they're not specifically designed for the medium.
I like your definition and that does clarify things - then all my design conversations are theory conversations. I think most people think of theory as somehow more abstract than that - and would be happy to know that its not. So to answer the post's original question, design conversations are doing fine - wherever they happen. It's just they're usually focused conversations about systems - and rarely get more abstract than that. Does that make sense?
My understanding is that in the Forge, there was a lot more High Theory - more Theoretical Physics than Aerospace Engineering. I don't think I would've enjoyed those conversations very much.
(And yeah, the historic split in "system design" or "adventure sign" seems irrelevant to modern indie games. But the difference between invisible and visible rulebooks is still relevant - analogous to system and "play culture".)
My personal experience with theory discussions online is very limited. I've heard that they can get really toxic - which isn't a surprise. I do think there's a particular kind of toxicity to twitter that applies to all kinds of conversations - theory is just one of them. So I've chosen to mostly avoid those kind of conversations on twitter. Whether this matches your point about Status Quo Maintenance, I'm not sure.
I do think talking theory can be fun. To me, it's the kind of "back bench of a classroom" conversation that nerds have when they're more interested in a topic than 99.9% of a population. I don't see it as different or superior to similar conversations about video games or fandoms, etc. While they might make you a better designer, they're not essential - and definitely not decisive (because there are so many other things).
I do think a lot of people are simply not interested in theory. Which is understandable. Not everyone enjoys the aesthetic laboriousness of "academic sounding" conversation. I'm not particularly interested in that either. I don't think of theory as some elevated search for truth - it's just one kind of conversation I have about games. I'm not particularly sure what counts as theory and what is 'just design' either.
I don't think it's as simple as that. Very often even small games from indie creators have price tags on them - at least, that is the trend that I'm seeing. I think choosing only free or PWYW games would eliminate a large number of excellent games and excellent creators. That said, I aree with all your points. So I think free, PWYW and playtest kits should not be ruled out. But at the same time, I think designers could submit free copies of their games to the book club for distribution to participants.
But this does open up the question of how we'll choose which game to read. I see two options:
1. Voting.
Pros: Democratic. People are also more likely to participate if they can choose the game.
Cons: Popular games will be chosen. Games from less popular creators will always lose.
2. Lottery (suggestions are solicited and then you roll dice to see which one is read this week, same suggestions are rolled on next week)
Pros: Gives every game an equal chance of being chosen.
Cons: The counterpoint to choosing a small game is that the number of people who might participate is low.
So I'm not sure how to decide between these options. I think that Lottery is more fair but Voting is better if we want more people to participate.
I agree with everything you're saying, Aleks. It would only be worth doing if we believe that a better kind of conversation is possible - due to the long-form nature of the medium itself and the moderation that's possible. And while people should be able to discuss bad actors, I was not thinking of that kind of stuff when I proposed the idea - I was thinking of design conversations.
Examples are hard but let me give it a shot. Right now, there are some discussions I'm seeing on:
1. alternatives to kickstarter if you're interested in crowdfunding
2. critique in ttrpgs - thinking of the video on zedeck as a great example of something I'd like to see more of (https://youtu.be/J3gsHlnczJM)
What do you think?