Artigo de Daniel Maillet para a revista Mão na Massa N. 52, 2018.
Aplicação da impressora em 3D ... more Artigo de Daniel Maillet para a revista Mão na Massa N. 52, 2018.
Aplicação da impressora em 3D na Arte Ceramica.
Article by Daniel Maillet. Magazine New Ceramics 3/18.
Art editions fot sculptures printed in cl... more Article by Daniel Maillet. Magazine New Ceramics 3/18. Art editions fot sculptures printed in clay and sintered at high temperature.
This article delves into the theme epitomised by the Walter Benjamin's essay The Work of Art in t... more This article delves into the theme epitomised by the Walter Benjamin's essay The Work of Art in the Age of Mechanical Reproduction. The twentieth century has been par excellence the century of bi-dimensional reproduction. The printing technologies have reached such an advanced level of perfection, to remind to me that of the Riace Warriors. This liaison being not accidental, since our civilization descends in the direct line from the same mindset of those who created the copies of these amazing bronzes. Ancient Greek culture used to embody the divine perfection in a physical form of rare beauty and harmony of anatomical proportions. From here originated the principle of observation as principal instrument towards a deep knowledge of the universe, which is typical of our civilization. The imitation is a production activity based on a pre-existing model, which the human beings strive to reproduce. The mimesis is meant as a useful agere, which echoes the behaviour of the nature itself. The modern scientific research mainly stems from these principle and mindset. Its long evolution has experienced a hyperbolic acceleration in these last decades and produced our hyper technological civilization with its outreach of infinite specializations. Some other cultures could have walked the same path, but, as Claude Lévi-Strauss stated, each culture developed its own exquisite uniqueness on the basis of their natural environment, religious beliefs and self-preservation needs. Therefore none of them is inferior to western culture, although many people still insist on thinking this way. In 1976, after finishing my studies as graphic designer in Switzerland, I received my continuing education in wood and copper engraving. I specialized in observation drawing and painting in the in Milan Brera Accademy. At the very dawn of the 21st Century, midway along the journey of my life, I moved to Brazil, where I started modelling clay. Since the very beginning my experiments went hand in hand with my researches about the updates on the cutting-edge 3D technologies found on the internet. But it wasn't until 2017 that I got my first sculptures 3D scanned. I'm thankful to Giuseppe Olmetti, the Secretary of Associazione Italiana delle Città della Ceramica, AICC, for introducing me to Massimo Moretti, the founder of the Wasp Company in Massa Lombarda, where I carried out my basic research. The ceramics mixtures has been supplied from Fabio Poli, the owner of the Company Cibas in Nove. As far as I know, it was the first time ever that a real-life figurative sculpture in 1:1 format got printed in clay. It was a big success. Mechatronics is constantly evolving and in the short period the makers will further enhance the equipment.
La guerre n'a rien de normal : c'est la banqueroute de la politique et de l'humanité. Tel est l'a... more La guerre n'a rien de normal : c'est la banqueroute de la politique et de l'humanité. Tel est l'avis unanime des activistes des droits de l'homme. [...] Mon père Léo Maillet (1902-1990) parlait de stupidité, lui qui n'arrivait pas à trouver d'explication raisonnable lorsqu'il évoquait les auteurs du « génocide des Juifs, au coeur même de cette culture européenne qui avait généré la modernité [...]
Texte rédigé en italien par Daniel Maillet (Cunha près São Paulo, Brésil) en collaboration avec Roland Schramm (Rio de Janeiro) ; révision italienne de Piergiorgio Morgantini (Terre di Pedemonte, Tessin, Suisse), traduction de l’italien par Jacques Gubler (Bâle, Suisse)
Catalogo dell'esposizione di sculture all'Oratorio di San Rocco, Padova, 2009. Artista Daniel Mai... more Catalogo dell'esposizione di sculture all'Oratorio di San Rocco, Padova, 2009. Artista Daniel Maillet. Promosso dal Comune di Padova, assessorato alla Cultura e dall'Accademia Galileiana. Scritti di Mirella Cisotto Nalon Oddone Longo e Andrea Colasio.
“Farás a figura em tal ato, o qual seja suficiente para demonstrar aquilo que a figura tem no âma... more “Farás a figura em tal ato, o qual seja suficiente para demonstrar aquilo que a figura tem no âmago; de outra forma a tua arte não será louvável. “Tratado sobre pintura, n290. Leonardo da Vinci.
“Farai le figure in tale atto, il quale sia sufficiente a dimostrare quello che la figura ha nell... more “Farai le figure in tale atto, il quale sia sufficiente a dimostrare quello che la figura ha nell’animo; altrimenti la tua arte non sarà laudabile”. Trattato della pittura, n.290. Leonardo da Vinci.
«Tu réaliseras les figures de façon à montrer ce que la figure porte en son âme. Sinon ton art ne... more «Tu réaliseras les figures de façon à montrer ce que la figure porte en son âme. Sinon ton art ne sera pas digne d’éloge. » Traité de la peinture, 33. Léonard de Vinci.
“Du wirst die Figuren in einer Weise machen, dass es gelingt zu zeigen, was die Figur in ihrer Se... more “Du wirst die Figuren in einer Weise machen, dass es gelingt zu zeigen, was die Figur in ihrer Seele trägt; anderenfalls wird deine Kunst kein Lob verdienen”. (Traktat über die Malerei, n° 290, Leonardo da Vinci).
Artigo de Daniel Maillet para a revista Mão na Massa N. 52, 2018.
Aplicação da impressora em 3D ... more Artigo de Daniel Maillet para a revista Mão na Massa N. 52, 2018.
Aplicação da impressora em 3D na Arte Ceramica.
Article by Daniel Maillet. Magazine New Ceramics 3/18.
Art editions fot sculptures printed in cl... more Article by Daniel Maillet. Magazine New Ceramics 3/18. Art editions fot sculptures printed in clay and sintered at high temperature.
This article delves into the theme epitomised by the Walter Benjamin's essay The Work of Art in t... more This article delves into the theme epitomised by the Walter Benjamin's essay The Work of Art in the Age of Mechanical Reproduction. The twentieth century has been par excellence the century of bi-dimensional reproduction. The printing technologies have reached such an advanced level of perfection, to remind to me that of the Riace Warriors. This liaison being not accidental, since our civilization descends in the direct line from the same mindset of those who created the copies of these amazing bronzes. Ancient Greek culture used to embody the divine perfection in a physical form of rare beauty and harmony of anatomical proportions. From here originated the principle of observation as principal instrument towards a deep knowledge of the universe, which is typical of our civilization. The imitation is a production activity based on a pre-existing model, which the human beings strive to reproduce. The mimesis is meant as a useful agere, which echoes the behaviour of the nature itself. The modern scientific research mainly stems from these principle and mindset. Its long evolution has experienced a hyperbolic acceleration in these last decades and produced our hyper technological civilization with its outreach of infinite specializations. Some other cultures could have walked the same path, but, as Claude Lévi-Strauss stated, each culture developed its own exquisite uniqueness on the basis of their natural environment, religious beliefs and self-preservation needs. Therefore none of them is inferior to western culture, although many people still insist on thinking this way. In 1976, after finishing my studies as graphic designer in Switzerland, I received my continuing education in wood and copper engraving. I specialized in observation drawing and painting in the in Milan Brera Accademy. At the very dawn of the 21st Century, midway along the journey of my life, I moved to Brazil, where I started modelling clay. Since the very beginning my experiments went hand in hand with my researches about the updates on the cutting-edge 3D technologies found on the internet. But it wasn't until 2017 that I got my first sculptures 3D scanned. I'm thankful to Giuseppe Olmetti, the Secretary of Associazione Italiana delle Città della Ceramica, AICC, for introducing me to Massimo Moretti, the founder of the Wasp Company in Massa Lombarda, where I carried out my basic research. The ceramics mixtures has been supplied from Fabio Poli, the owner of the Company Cibas in Nove. As far as I know, it was the first time ever that a real-life figurative sculpture in 1:1 format got printed in clay. It was a big success. Mechatronics is constantly evolving and in the short period the makers will further enhance the equipment.
La guerre n'a rien de normal : c'est la banqueroute de la politique et de l'humanité. Tel est l'a... more La guerre n'a rien de normal : c'est la banqueroute de la politique et de l'humanité. Tel est l'avis unanime des activistes des droits de l'homme. [...] Mon père Léo Maillet (1902-1990) parlait de stupidité, lui qui n'arrivait pas à trouver d'explication raisonnable lorsqu'il évoquait les auteurs du « génocide des Juifs, au coeur même de cette culture européenne qui avait généré la modernité [...]
Texte rédigé en italien par Daniel Maillet (Cunha près São Paulo, Brésil) en collaboration avec Roland Schramm (Rio de Janeiro) ; révision italienne de Piergiorgio Morgantini (Terre di Pedemonte, Tessin, Suisse), traduction de l’italien par Jacques Gubler (Bâle, Suisse)
Catalogo dell'esposizione di sculture all'Oratorio di San Rocco, Padova, 2009. Artista Daniel Mai... more Catalogo dell'esposizione di sculture all'Oratorio di San Rocco, Padova, 2009. Artista Daniel Maillet. Promosso dal Comune di Padova, assessorato alla Cultura e dall'Accademia Galileiana. Scritti di Mirella Cisotto Nalon Oddone Longo e Andrea Colasio.
“Farás a figura em tal ato, o qual seja suficiente para demonstrar aquilo que a figura tem no âma... more “Farás a figura em tal ato, o qual seja suficiente para demonstrar aquilo que a figura tem no âmago; de outra forma a tua arte não será louvável. “Tratado sobre pintura, n290. Leonardo da Vinci.
“Farai le figure in tale atto, il quale sia sufficiente a dimostrare quello che la figura ha nell... more “Farai le figure in tale atto, il quale sia sufficiente a dimostrare quello che la figura ha nell’animo; altrimenti la tua arte non sarà laudabile”. Trattato della pittura, n.290. Leonardo da Vinci.
«Tu réaliseras les figures de façon à montrer ce que la figure porte en son âme. Sinon ton art ne... more «Tu réaliseras les figures de façon à montrer ce que la figure porte en son âme. Sinon ton art ne sera pas digne d’éloge. » Traité de la peinture, 33. Léonard de Vinci.
“Du wirst die Figuren in einer Weise machen, dass es gelingt zu zeigen, was die Figur in ihrer Se... more “Du wirst die Figuren in einer Weise machen, dass es gelingt zu zeigen, was die Figur in ihrer Seele trägt; anderenfalls wird deine Kunst kein Lob verdienen”. (Traktat über die Malerei, n° 290, Leonardo da Vinci).
Six months workshop for sixty pupils, 2016.
Art history, drawing, modeling clay, enameling, theor... more Six months workshop for sixty pupils, 2016. Art history, drawing, modeling clay, enameling, theory and practice of firing gres sculptures. Sponsor: Kinder Mission Sternsinger Organization: Caminho de Cunha (OSCIP) Location: Cunha SP Brasil
Grès Sculptures work in progress by Daniel Maillet:
- Preparation of the raw material: clay with ... more Grès Sculptures work in progress by Daniel Maillet: - Preparation of the raw material: clay with mechanical resistance for the molded sculpture of a large format and for meccanic resistance to the high - Exhibition in Padua, promoted by the Galilean Academy and Department of Culture. - short poetic conception - fragments of a criticism
Catalogo dell'esposizione di Leo Maillet, promossa dall'Accademia Galileiana di Arte e Lettere e ... more Catalogo dell'esposizione di Leo Maillet, promossa dall'Accademia Galileiana di Arte e Lettere e dall'Assessorato alla Cultura del Comune di Padova. Leo Mailet (1902-1990), espressionista tedesco, incisore di grande rilievo per l'arte figurativa contemporanea. http://www.leo-maillet.de
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Papers by Daniel Maillet
Aplicação da impressora em 3D na Arte Ceramica.
Art editions fot sculptures printed in clay and sintered at high temperature.
[...] Mon père Léo Maillet (1902-1990) parlait de stupidité, lui qui n'arrivait pas à trouver d'explication raisonnable lorsqu'il évoquait les auteurs du « génocide des Juifs, au coeur même de cette culture européenne qui avait généré la modernité [...]
Texte rédigé en italien par Daniel Maillet (Cunha près São Paulo, Brésil) en collaboration avec Roland Schramm (Rio de Janeiro) ; révision italienne de Piergiorgio Morgantini (Terre di Pedemonte, Tessin, Suisse), traduction de l’italien par Jacques Gubler (Bâle, Suisse)
Promosso dal Comune di Padova, assessorato alla Cultura e dall'Accademia Galileiana. Scritti di Mirella Cisotto Nalon Oddone Longo e Andrea Colasio.
Aplicação da impressora em 3D na Arte Ceramica.
Art editions fot sculptures printed in clay and sintered at high temperature.
[...] Mon père Léo Maillet (1902-1990) parlait de stupidité, lui qui n'arrivait pas à trouver d'explication raisonnable lorsqu'il évoquait les auteurs du « génocide des Juifs, au coeur même de cette culture européenne qui avait généré la modernité [...]
Texte rédigé en italien par Daniel Maillet (Cunha près São Paulo, Brésil) en collaboration avec Roland Schramm (Rio de Janeiro) ; révision italienne de Piergiorgio Morgantini (Terre di Pedemonte, Tessin, Suisse), traduction de l’italien par Jacques Gubler (Bâle, Suisse)
Promosso dal Comune di Padova, assessorato alla Cultura e dall'Accademia Galileiana. Scritti di Mirella Cisotto Nalon Oddone Longo e Andrea Colasio.
Art history, drawing, modeling clay, enameling, theory and practice of firing gres sculptures.
Sponsor: Kinder Mission Sternsinger
Organization: Caminho de Cunha (OSCIP)
Location: Cunha SP Brasil
- Preparation of the raw material: clay with mechanical resistance for the molded sculpture of a large format and for meccanic resistance to the high
- Exhibition in Padua, promoted by the Galilean Academy and Department of Culture.
- short poetic conception
- fragments of a criticism
Leo Mailet (1902-1990), espressionista tedesco, incisore di grande rilievo per l'arte figurativa contemporanea. http://www.leo-maillet.de