Arūnas Vyžintas
🇱🇹 ...historian of art and religion, art critic, specialist in cultural heritage, researcher of mentalities... lately, I've mostly been researching Kremlin propaganda and the causes of totalitarianism... on academia.edu since 12-04-2024...
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▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading this more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title). Here I present the last part (III).
▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading this more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title). Here I present the Part II.
▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading this more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title). Here I present the Part I.
▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading the more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title):
Part I: https://www.delfi.lt/news/ringas/lit/a-vyzintas-sovietiniu-filmu-niekas-nenorejo-mirti-iki-siol-plaunamos-smegenys-64273992;
Part II: https://www.delfi.lt/news/ringas/lit/a-vyzintas-sovietiniu-filmu-niekas-nenorejo-mirti-plaunamos-smegenys-lietuviai-pries-lietuvius-64342056;
Part III: https://www.delfi.lt/news/ringas/lit/a-vyzintas-sovietiniu-filmu-niekas-nenorejo-mirti-plaunamos-smegenys-iii-64433434.
Also, all three parts of the article in PDF format are provided here, on my page in the portal Academia.edu.
▪️SVARBU: Deja, žurnalo „Kultūros barai“ redakcija straipsnyje įvėlė daug grubių klaidų. Todėl tikslesnį šios I jo dalies variantą, o taip pat II ir III straipsnio dalis (tik sutrumpintu pavadinimu) rekomenduoju skaityti DELFI portale (žr. aukščiau pateiktas nuorodas).
Art exhibition reviews
▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading this more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title). Here I present the last part (III).
▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading this more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title). Here I present the Part II.
▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading this more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title). Here I present the Part I.
▪️This is the first detailed and comprehensive analysis of the propaganda mechanisms of the still very popular Soviet film Nobody Wanted to Die (Lietuvos kino studija, 1965). It also examines the extremely naive opinions of the film's fans, who are completely ignorant of its propaganda essence.
▪️IMPORTANT: The first part of the article was published in the journal 'Kultūros barai' (No. 12, 2013). Unfortunately, the editor of the journal has made a number of gross errors in the text. Therefore, I recommend reading the more accurate version of the article, which was published in three parts on the DELFI portal (only under an abbreviated title):
Part I: https://www.delfi.lt/news/ringas/lit/a-vyzintas-sovietiniu-filmu-niekas-nenorejo-mirti-iki-siol-plaunamos-smegenys-64273992;
Part II: https://www.delfi.lt/news/ringas/lit/a-vyzintas-sovietiniu-filmu-niekas-nenorejo-mirti-plaunamos-smegenys-lietuviai-pries-lietuvius-64342056;
Part III: https://www.delfi.lt/news/ringas/lit/a-vyzintas-sovietiniu-filmu-niekas-nenorejo-mirti-plaunamos-smegenys-iii-64433434.
Also, all three parts of the article in PDF format are provided here, on my page in the portal Academia.edu.
▪️SVARBU: Deja, žurnalo „Kultūros barai“ redakcija straipsnyje įvėlė daug grubių klaidų. Todėl tikslesnį šios I jo dalies variantą, o taip pat II ir III straipsnio dalis (tik sutrumpintu pavadinimu) rekomenduoju skaityti DELFI portale (žr. aukščiau pateiktas nuorodas).