Call for contributions Scenography and/or symbiosis May 15, 2023-BnF Richelieu (Paris) and Zoom A... more Call for contributions Scenography and/or symbiosis May 15, 2023-BnF Richelieu (Paris) and Zoom As part of the 28th edition of ISEA (International Symposium on Electronic Art), the one consecrated to the theme of "symbiosis", Franck Ancel with the collaboration of Federico Biggio (Paris 8/Paragraphe) organize a conference on Jacques Polieri's (1928-2011) research and realizations, with the aim of studying contaminations and hybridizations (i.e., symbiosis) between experimental scenographies and other scientific fields.
If cities are currently being extended and transformed into "urban territories" through... more If cities are currently being extended and transformed into "urban territories" through the impact of science and technology, then the classic places for artistic performance are essentially victims of these changes, since these traditional performative spaces have not really been able to incorporate technological change. New technologies are responsible for the emergence of an "Interactive City." This City of Bits was first analyzed in terms of "Space, Place, and the Infobahn" by William J. Mitchell, a researcher at MIT, in his book of the same name, published ten years ago. This was the period of the appearance of VRML and the hope for democratizing effects of the Internet, a time when some people saw cyberspace as another world and a new continent and others, as a Utopia. The rise of the World Wide Web was signalled by the use of a global language, HTML – invented by a scientist from CERN in Switzerland – which allowed us to share information on our ...
80 ans après le suicide de Walter Benjamin : "Art de la mémoire et/ou intelligence artificielle" ... more 80 ans après le suicide de Walter Benjamin : "Art de la mémoire et/ou intelligence artificielle" à l'heure d'une pandémie planétaire pour la scénographie face à la technologie ?
Jacques Polieri concluded a century of art that stretched from 1911 with the abstraction to the t... more Jacques Polieri concluded a century of art that stretched from 1911 with the abstraction to the turmoils of contemporary creation induced by the rise of digital technologies. His intellectual experience and his encounter with visual and sound abstraction have consistently permeated his research on a cosmic stage. Polieri’s imaginary sphere is obviously related and dialectically with the emergence of the space exploration. Space was for him a counter-transference, not a phantasm, which allowed him to keep scenography as an original source and not as a marginal subject. Polieri was by no means driven by an unquenchable quest of modernity, though his scenography anticipated an innovative artistic code, beyond show.
Call for contributions Scenography and/or symbiosis May 15, 2023-BnF Richelieu (Paris) and Zoom A... more Call for contributions Scenography and/or symbiosis May 15, 2023-BnF Richelieu (Paris) and Zoom As part of the 28th edition of ISEA (International Symposium on Electronic Art), the one consecrated to the theme of "symbiosis", Franck Ancel with the collaboration of Federico Biggio (Paris 8/Paragraphe) organize a conference on Jacques Polieri's (1928-2011) research and realizations, with the aim of studying contaminations and hybridizations (i.e., symbiosis) between experimental scenographies and other scientific fields.
If cities are currently being extended and transformed into "urban territories" through... more If cities are currently being extended and transformed into "urban territories" through the impact of science and technology, then the classic places for artistic performance are essentially victims of these changes, since these traditional performative spaces have not really been able to incorporate technological change. New technologies are responsible for the emergence of an "Interactive City." This City of Bits was first analyzed in terms of "Space, Place, and the Infobahn" by William J. Mitchell, a researcher at MIT, in his book of the same name, published ten years ago. This was the period of the appearance of VRML and the hope for democratizing effects of the Internet, a time when some people saw cyberspace as another world and a new continent and others, as a Utopia. The rise of the World Wide Web was signalled by the use of a global language, HTML – invented by a scientist from CERN in Switzerland – which allowed us to share information on our ...
80 ans après le suicide de Walter Benjamin : "Art de la mémoire et/ou intelligence artificielle" ... more 80 ans après le suicide de Walter Benjamin : "Art de la mémoire et/ou intelligence artificielle" à l'heure d'une pandémie planétaire pour la scénographie face à la technologie ?
Jacques Polieri concluded a century of art that stretched from 1911 with the abstraction to the t... more Jacques Polieri concluded a century of art that stretched from 1911 with the abstraction to the turmoils of contemporary creation induced by the rise of digital technologies. His intellectual experience and his encounter with visual and sound abstraction have consistently permeated his research on a cosmic stage. Polieri’s imaginary sphere is obviously related and dialectically with the emergence of the space exploration. Space was for him a counter-transference, not a phantasm, which allowed him to keep scenography as an original source and not as a marginal subject. Polieri was by no means driven by an unquenchable quest of modernity, though his scenography anticipated an innovative artistic code, beyond show.
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