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Postcards from the Edge (film)

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Postcards from the Edge
Theatrical release poster
Directed byMike Nichols
Screenplay byCarrie Fisher
Based onPostcards from the Edge
by Carrie Fisher
Produced by
Starring
CinematographyMichael Ballhaus
Edited bySam O'Steen
Music byCarly Simon
Production
company
Distributed byColumbia Pictures
Release date
  • September 14, 1990 (1990-09-14)
Running time
101 minutes
CountryUnited States
LanguageEnglish
Budget$22 million[1]
Box office$63.4 million

Postcards from the Edge is a 1990 American comedy-drama film directed by Mike Nichols. The screenplay by Carrie Fisher is based on her 1987 autobiographical novel of the same title. The film stars Meryl Streep, Shirley MacLaine, and Dennis Quaid.

Plot

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After a drug overdose, actress Suzanne Vale is admitted to a rehab center at the behest of her mother, veteran actress Doris Mann. Suzanne must rebuild her acting career and life after overcoming a cocaine and Percodan addiction. When Suzanne is ready to return to work, her agent informs her that the studio's insurance policy will cover her only if she lives with a "responsible" individual—such as her mother Doris. However, Suzanne is hesitant to return to her manipulative, self-absorbed mother, from whom she has struggled to escape since growing up in her shadow.

Producer Jack Faulkner, who drove Suzanne to the hospital during her last overdose, runs into her on set and confesses his love for her. They go on a date, but Suzanne's euphoria is short-lived when she discovers that Jack is also sleeping with another actress. Meanwhile, Suzanne's sleazy business manager, Marty Wiener, has absconded with all her money. Amid these struggles, Suzanne learns that the paternalistic director Lowell Kolchek has more work for her as long as she stays sober.

However, Suzanne's troubles escalate when she discovers that her mother has crashed her car while drunk. Suzanne rushes to her bedside and they have a heart-to-heart conversation while Suzanne fixes her makeup and conceals her nearly bald head with a scarf. Doris musters her courage and faces the waiting media. Meanwhile, Suzanne runs into Dr. Frankenthal, who had helped her after her last overdose, and he invites her to see a film. Suzanne declines, saying she is not ready to date yet, but Dr. Frankenthal tells her he is willing to wait.

Suzanne performs a country song during shooting of Lowell Kolchek's latest film.

Cast

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Fisher said in the DVD commentary that Jerry Orbach filmed a scene as Suzanne's father, which was later cut.

Production

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In discussing adapting the book for the screen, director Mike Nichols commented, "For quite a long time we pushed pieces around, but then we went with the central story of a mother passing the baton to her daughter."[2] He added, "Carrie doesn't draw on her life any more than Flaubert did. It's just that his life wasn't so well known."[2]

Nichols began pre-production in New York, where he assembled a group of actors to run lines from the script in order to perfect it. In return, the actors, including Annette Bening, were given small roles in the film when it filmed.[3]

Responding to questions about how closely the film's relationship between Suzanne and Doris parallels her relationship with her mother, Debbie Reynolds, Carrie Fisher stated, "I wrote about a mother actress and a daughter actress. I'm not shocked that people think it's about me and my mother. It's easier for them to think I have no imagination for language, just a tape recorder with endless batteries."[2] In the DVD commentary, she notes that her mother wanted to portray Doris, but Nichols cast Shirley MacLaine instead. In her 2013 autobiography, Unsinkable, Reynolds recounted that Nichols told her, "You're not right for the part."[4]

Blue Rodeo accompanied Meryl Streep on "I'm Checkin' Out", written by Shel Silverstein. Other songs performed in the film include "I'm Still Here" (sung by MacLaine) and "You Don't Know Me" (sung by Streep).

Reception

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Box office

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The film opened in 1,013 theaters in the United States and Canada on September 14, 1990, and grossed $7,871,856 during its opening weekend, ranking number one at the US box office.[5] It eventually grossed $39,071,603 in the US and Canada[6] and $24.3 million internationally,[7] for a worldwide total of $63.4 million.

Critical response

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On the website Rotten Tomatoes, the film holds an approval rating of 83% based on 87 reviews, with an average rating of 7.4/10. The website's critics consensus reads, "Uniting a pair of powerhouse talents with a smart, sharply written script, Postcards from the Edge makes compelling drama out of reality-inspired trauma."[8] Metacritic, which uses a weighted average, assigned the film a score of 71, based on 18 critics, indicating "generally favorable" reviews.[9] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[10]

Vincent Canby of The New York Times said the film "seems to have been a terrifically genial collaboration between the writer and the director, Miss Fisher's tale of odd-ball woe being the perfect material for Mr. Nichols's particular ability to discover the humane sensibility within the absurd."[11]

Roger Ebert of the Chicago Sun-Times observed, "What's disappointing about the movie is that it never really delivers on the subject of recovery from addiction. There are some incomplete, dimly seen, unrealized scenes in the rehab center, and then desultory talk about offscreen AA meetings. But the film is preoccupied with gossip; we're encouraged to wonder how many parallels there are between the Streep and MacLaine characters and their originals, Fisher and Debbie Reynolds... Postcards from the Edge contains too much good writing and too many good performances to be a failure, but its heart is not in the right place."[12]

Hal Hinson of The Washington Post said, "Meryl Streep gives the most fully articulated comic performance of her career, the one she's always hinted at and made us hope for." He felt the film's earlier section was "the movie's best, primarily because Nichols is so focused on Streep. In fact, almost nothing else seems to matter to him... But while Nichols is servicing his star, he lets the other areas of the film go slack... [He] is finely attuned to the natural surreality of a movie set, but when he moves away from the show-biz satire and concentrates on the mother-daughter relationship, the movie falters."[13]

Accolades

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Award Category Recipient(s) Result
Academy Awards[14] Best Actress Meryl Streep Nominated
Best Original Song "I'm Checkin' Out"
Music and Lyrics by Shel Silverstein 		Nominated
American Comedy Awards[15] Funniest Actress in a Motion Picture (Leading Role) Meryl Streep Won
Funniest Supporting Actress in a Motion Picture Shirley MacLaine Nominated
Artios Awards[16] Outstanding Achievement in Feature Film Casting – Comedy Juliet Taylor Nominated
British Academy Film Awards[17] Best Actress in a Leading Role Shirley MacLaine Nominated
Best Adapted Screenplay Carrie Fisher Nominated
Best Original Film Score Carly Simon Nominated
Dallas–Fort Worth Film Critics Association Awards Best Actress Meryl Streep Nominated
Golden Globe Awards[18] Best Actress in a Motion Picture – Musical or Comedy Nominated
Best Supporting Actress – Motion Picture Shirley MacLaine Nominated
Best Original Song – Motion Picture "I'm Checkin' Out"
Music and Lyrics by Shel Silverstein 		Nominated
London Film Critics' Circle Awards Newcomer of the Year Annette Bening Won

References

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  1. ^ Harmetz, Aljean (December 7, 1989). "It's Fade-Out for the Cheap Film As Hollywood's Budgets Soar". The New York Times.
  2. ^ a b c Dougherty, Margot (September 28, 1990). "Working the Edge". Entertainment Weekly. Archived from the original on May 6, 2011. Retrieved October 31, 2011.
  3. ^ BFI Screen Talk: Annette Bening BFI London Film Festival 2017. British Film Institute. November 10, 2017. Archived from the original on December 15, 2021. Retrieved May 27, 2018 – via YouTube.
  4. ^ Reynolds, Debbie; Hannaway, Dorian (2013). "Postcards from My Daughter". Unsinkable: A Memoir. New York: William Morrow. p. 20. ISBN 978-0-06-221365-5.
  5. ^ Broeske, Pat H. (September 17, 1990). "Postcards Takes No. 1 at Box Office Movies: Mother-daughter comedy sales hit $8.1 million. Paramount's 'Ghost' is in second place on $5.8 million in sales". Los Angeles Times. Retrieved January 1, 2011.
  6. ^ "Postcards from the Edge (1990)". Box Office Mojo. Retrieved May 5, 2024.
  7. ^ Frook, John Evan (June 26, 1992). "Col TriStar tide rising overseas". Daily Variety. p. 1.
  8. ^ "Postcards from the Edge". Rotten Tomatoes. Retrieved May 5, 2024.
  9. ^ "Postcards from the Edge". Metacritic.
  10. ^ "Home". CinemaScore. Retrieved December 1, 2022.
  11. ^ Canby, Vincent (September 12, 1990). "Review/Film; Down and Out at the Top in Hollywood". The New York Times. Retrieved May 5, 2024.
  12. ^ Ebert, Roger (September 12, 1990). "Postcards from the Edge". Chicago Sun-Times. Retrieved October 31, 2011 – via RogerEbert.com.
  13. ^ Hinson, Hal (September 14, 1990). "Postcards from the Edge". The Washington Post. Retrieved October 31, 2011.
  14. ^ "The 63rd Academy Awards | 1991". Academy Awards. Archived from the original on October 20, 2014. Retrieved October 20, 2011.
  15. ^ "1991 American Comedy Awards". Mubi. Retrieved July 26, 2021.
  16. ^ "Nominees/Winners". Casting Society of America. Retrieved January 6, 2019.
  17. ^ "BAFTA Awards: Film in 1991". BAFTA Awards. Retrieved September 16, 2016.
  18. ^ "Postcards from the Edge". Golden Globe Awards. Retrieved July 28, 2021.
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