A Mouthful of Birds: Difference between revisions
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{{unreliable sources|date=July 2017}} |
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| writer = |
| writer = [[Caryl Churchill]] and [[David Lan]] |
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| setting = |
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| date of premiere = |
| date of premiere = 1986 |
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| place = {{UK}} |
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| original language = |
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| series = |
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| subject = |
| subject = [[Spiritual possession|Possession]], madness, and female violence |
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| genre = |
| genre = Play with dance |
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| ⚫ | '''''A Mouthful of Birds''''' is a 1986 play with dance, written by [[Caryl Churchill]] and [[David Lan]],<ref name="The Sydney Morning Herald - 4 November 2011- A Mouthful of Birds">{{cite news |last=Woodhead |first=Cameron |title=A Mouthful of Birds reviewed by Cameron Woodhead |url=http://www.smh.com.au/entertainment/theatre/a-mouthful-of-birds-20111103-1mxpe.html |work=[[The Sydney Morning Herald]] |date=4 November 2011 |access-date=21 July 2017}}</ref> with choreography by [[Ian Spink]]. Drawing its themes from ''[[The Bacchae]]'' of [[Euripides]], it is a meditation on [[Spiritual possession|possession]], madness and female violence. |
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| ⚫ | '''''A Mouthful of Birds''''' is a |
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==Synopsis== |
==Synopsis== |
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The episodes include: |
The episodes include: |
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* An unhappy wife slowly succumbs to [[ |
* An unhappy wife slowly succumbs to [[Postpartum psychosis|post-natal psychosis]]. She experiences [[Psychosis#Hallucinations|command hallucination]]s telling her to drown her baby in the bathtub, and eventually does so. |
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* A man's marriage and career are disrupted when he falls passionately in love with a pig at a slaughterhouse his company owns. |
* A man's marriage and career are disrupted when he falls passionately in love with a pig at a slaughterhouse his company owns. |
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* A [[voodoo]] practitioner newly arrived in London is haunted by an upper-crust British spirit who tries to drive away her familiar Haitian spirit guide, [[Baron Samedi|Baron Sunday]]. |
* A [[Haitian Vodou|voodoo]] practitioner newly arrived in London is haunted by an upper-crust British spirit who tries to drive away her familiar Haitian spirit guide, [[Baron Samedi|Baron Sunday]]. |
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* [[Herculine Barbin]], a nineteenth-century hermaphrodite, narrates the story of his transformation from girl to man. This monologue lies at the center of the play and is performed first by an actress, then repeated in identical language by a male actor. |
* [[Herculine Barbin]], a nineteenth-century hermaphrodite, narrates the story of his transformation from girl to man. This monologue lies at the center of the play and is performed first by an actress, then repeated in identical language by a male actor. |
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* A woman struggles to overcome alcoholism. |
* A woman struggles to overcome alcoholism. |
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The actors play ensemble roles in all scenes other than their own. Dance sequences are at the center of the episodes involving the pig and his lover, the schizophrenic and her hallucinated tormentor, and the serial killer. |
The actors play ensemble roles in all scenes other than their own. Dance sequences are at the center of the episodes involving the pig and his lover, the schizophrenic and her hallucinated tormentor, and the serial killer. |
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The play's perspective on mental illness and sexuality is strongly influenced by the work of [[Michel Foucault]], who also wrote a monograph on the life of Herculine Barbin, as well as [[David Lan]]'s own anthropological work on possession and non-Western religions. |
The play's perspective on mental illness and sexuality is strongly influenced by the work of [[Michel Foucault]], who also wrote a monograph on the life of Herculine Barbin, as well as by [[David Lan]]'s own anthropological work on possession and non-Western religions. |
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==References== |
==References== |
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{{reflist}} |
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* [http://www.aber.ac.uk/cla/archive/nutten.html Madness and Signification in A Mouthful of Birds], by Laura Nutten |
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* [https://web.archive.org/web/20070313143128/http://www.aber.ac.uk/cla/archive/nutten.html Madness and Signification in A Mouthful of Birds], by Laura Nutten |
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* [http://apaclassics.org/sites/default/files/documents/abstracts/dellner.pdf "Paul Dances With the Pig, Tenderly": The Politics of Ecstasy and Acts of Possession in A Mouthful of Birds], by Jennifer J. Dellner |
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{{Caryl Churchill}} |
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{{The Bacchae}} |
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{{DEFAULTSORT:Mouthful of Birds, A}} |
{{DEFAULTSORT:Mouthful of Birds, A}} |
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[[Category:Caryl Churchill |
[[Category:Plays by Caryl Churchill]] |
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[[Category:1986 plays]] |
[[Category:1986 plays]] |
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[[Category:Plays based on The Bacchae]] |
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[[Category:Modern adaptations of works by Euripides]] |
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{{1980s-play-stub}} |
{{1980s-play-stub}} |
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{{postmodernism-stub}} |
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Latest revision as of 05:30, 7 December 2023
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| A Mouthful of Birds | |
|---|---|
| Written by | Caryl Churchill and David Lan |
| Date premiered | 1986 |
| Place premiered |  United Kingdom |
| Subject | Possession, madness, and female violence |
| Genre | Play with dance |
A Mouthful of Birds is a 1986 play with dance, written by Caryl Churchill and David Lan,[1] with choreography by Ian Spink. Drawing its themes from The Bacchae of Euripides, it is a meditation on possession, madness and female violence.
Synopsis
[edit]The play has an unusual structure; it is a series of seven independent vignettes each focusing on a different character. After every scene, a moment in the tragedy of Pentheus is seen. Dionysos, a dancer, watches the action invisibly, and his kiss causes each episode's central transformation. At the play's end, the characters return to give epilogues narrating how their stories continued.
The episodes include:
- An unhappy wife slowly succumbs to post-natal psychosis. She experiences command hallucinations telling her to drown her baby in the bathtub, and eventually does so.
- A man's marriage and career are disrupted when he falls passionately in love with a pig at a slaughterhouse his company owns.
- A voodoo practitioner newly arrived in London is haunted by an upper-crust British spirit who tries to drive away her familiar Haitian spirit guide, Baron Sunday.
- Herculine Barbin, a nineteenth-century hermaphrodite, narrates the story of his transformation from girl to man. This monologue lies at the center of the play and is performed first by an actress, then repeated in identical language by a male actor.
- A woman struggles to overcome alcoholism.
- Two jailers must restore order in their prison when a serial killer among the inmates inexplicably changes sex and begins killing other prisoners with magic.
- A female office worker is subject to grotesque, bloody fantasies and fits of rage.
The actors play ensemble roles in all scenes other than their own. Dance sequences are at the center of the episodes involving the pig and his lover, the schizophrenic and her hallucinated tormentor, and the serial killer.
The play's perspective on mental illness and sexuality is strongly influenced by the work of Michel Foucault, who also wrote a monograph on the life of Herculine Barbin, as well as by David Lan's own anthropological work on possession and non-Western religions.
References
[edit]- ^ Woodhead, Cameron (4 November 2011). "A Mouthful of Birds reviewed by Cameron Woodhead". The Sydney Morning Herald. Retrieved 21 July 2017.
- Madness and Signification in A Mouthful of Birds, by Laura Nutten
- "Paul Dances With the Pig, Tenderly": The Politics of Ecstasy and Acts of Possession in A Mouthful of Birds, by Jennifer J. Dellner
 | This article on a play from the 1980s is a stub. You can help Wikipedia by expanding it. |
 | This postmodernism-related article is a stub. You can help Wikipedia by expanding it. |