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Alexis Kirke
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2020 – today
- 2024
- [c18]Patrizia Di Campli San Vito, Xiaochen Yang, James Ross, Gözel Shakeri, Stephen A. Brewster, Satvik Venkatesh, Alex Street, Jörg Fachner, Paul Fernie, Leonardo Muller-Rodriguez, Ming Hung Hsu, Helen Odell-Miller, Hari Shaji, Paulo Vitor Itaboraí, Nicolas Farina, Sube Banerjee, Alexis Kirke, Eduardo Reck Miranda:
RadioMe: Adaptive Radio with Music Intervention and Reminder System for People with Dementia in Their Own Home. AHs 2024: 304-306 - 2023
- [c17]Patrizia Di Campli San Vito, Xiaochen Yang, Stephen A. Brewster, Alex Street, Jörg Fachner, Paul Fernie, Leonardo Muller-Rodriguez, Ming Hung Hsu, Helen Odell-Miller, Hari Shaji, Paulo Vitor Itaboraí, Nicolas Farina, Sube Banerjee, Alexis Kirke, Eduardo Reck Miranda:
RadioMe: Adaptive Radio to Support People with Mild Dementia in Their Own Home. HHAI 2023: 413-415 - 2021
- [c16]Satvik Venkatesh, David Moffat, Alexis Kirke, Gözel Shakeri, Stephen A. Brewster, Jörg Fachner, Helen Odell-Miller, Alex Street, Nicolas Farina, Sube Banerjee, Eduardo Reck Miranda:
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast. ICASSP 2021: 636-640 - [i3]Satvik Venkatesh, David Moffat, Alexis Kirke, Gözel Shakeri, Stephen A. Brewster, Jörg Fachner, Helen Odell-Miller, Alex Street, Nicolas Farina, Sube Banerjee, Eduardo Reck Miranda:
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast. CoRR abs/2102.09959 (2021) - 2020
- [j14]Ian Daly, Duncan Williams, Asad Malik, James Weaver, Alexis Kirke, Faustina Hwang, Eduardo Reck Miranda, Slawomir J. Nasuto:
Personalised, Multi-Modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing. IEEE Trans. Affect. Comput. 11(1): 111-124 (2020) - [i2]Alexis Kirke, Greg B. Davies, Joel Eaton:
Application of Optimization and Simulation to Musical Composition that Emerges Dynamically during Ensemble Singing Performance. CoRR abs/2006.03471 (2020)
2010 – 2019
- 2019
- [j13]Alexis J. Kirke:
Applying Quantum Hardware to non-Scientific Problems: Grover's Algorithm and Rule-based Algorithmic Music Composition. Int. J. Unconv. Comput. 14(3-4): 349-374 (2019) - [i1]Alexis Kirke:
Application of Grover's Algorithm on the ibmqx4 Quantum Computer to Rule-based Algorithmic Music Composition. CoRR abs/1902.04237 (2019) - 2018
- [j12]Alexis Kirke, Duncan Williams, Eduardo Reck Miranda, Amanda Bluglass, Craig Whyte, Rishi Pruthi, Andrew Eccleston:
Unconsciously interactive Films in a cinema environment - a demonstrative case study. Digit. Creativity 29(2-3): 165-181 (2018) - 2017
- [j11]Duncan Williams, Alexis Kirke, Eduardo Reck Miranda, Ian Daly, Faustina Hwang, James Weaver, Slawomir Nasuto:
Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System. ACM Trans. Appl. Percept. 14(3): 17:1-17:13 (2017) - [c15]Ian Daly, Aileen Ho, Julien Marcon, Faustina Hwang, Duncan Williams, Alexis Kirke, Eduardo R. Miranda, Slawomir Nasuto:
Affective brain Computer Music Interfacing: a Case Study of Use by an Individualwith Huntington's disease. GBCIC 2017 - [c14]Jared Drayton, Eduardo R. Miranda, Alexis Kirke:
A comparison of fitness functions in a genetic algorithm for acoustic-articulatory parameter inversion of vowels. GECCO (Companion) 2017: 271-272 - [p7]Eduardo R. Miranda, Alexis Kirke, Edward Braund, Aurélien Antoine:
On Unconventional Computing for Sound and Music. Guide to Unconventional Computing for Music 2017: 23-61 - [p6]Alexis Kirke, Eduardo R. Miranda:
Experiments in Sound and Music Quantum Computing. Guide to Unconventional Computing for Music 2017: 121-157 - [p5]Alexis Kirke:
Toward a Musical Programming Language. Guide to Unconventional Computing for Music 2017: 245-278 - 2015
- [j10]Alexis Kirke, Samuel Freeman, Eduardo Reck Miranda:
Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank. Comput. Music. J. 39(3): 59-70 (2015) - [j9]Alexis J. Kirke, Peter Shadbolt, Alex Neville, Eduardo Reck Miranda:
A Hybrid Computer Case Study for Unconventional Virtual Computing. Int. J. Unconv. Comput. 11(3-4): 205-226 (2015) - [j8]Alexis Kirke, Eduardo Reck Miranda:
A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications. J. Artif. Soc. Soc. Simul. 18(2) (2015) - [j7]Duncan Williams, Alexis Kirke, Eduardo Reck Miranda, Ian Daly, James Hallowell, James Weaver, Asad Malik, Etienne B. Roesch, Faustina Hwang, Slawomir J. Nasuto:
Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition. ACM Trans. Appl. Percept. 12(3): 8:1-8:21 (2015) - [c13]Ian Daly, Asad Malik, James Weaver, Faustina Hwang, Slawomir J. Nasuto, Duncan Williams, Alexis Kirke, Eduardo Reck Miranda:
Identifying music-induced emotions from EEG for use in brain-computer music interfacing. ACII 2015: 923-929 - [c12]Alexis Kirke, Belinda Dixon, Eduardo R. Miranda:
Music and Dementia: Two Case-Studies. CMMR 2015: 438-448 - 2014
- [j6]Alexis J. Kirke, Eduardo Reck Miranda:
Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation. Int. J. Unconv. Comput. 10(3): 199-217 (2014) - [j5]Alexis J. Kirke, Eduardo Reck Miranda:
Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education. Int. J. Unconv. Comput. 10(3): 237-249 (2014) - [j4]Alexis Kirke, Eduardo Reck Miranda:
Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation. Simul. 90(5): 606-622 (2014) - [c11]Ian Daly, James Hallowell, Faustina Hwang, Alexis Kirke, Asad Malik, Etienne B. Roesch, James Weaver, Duncan Williams, Eduardo Reck Miranda, Slawomir J. Nasuto:
Changes in music tempo entrain movement related brain activity. EMBC 2014: 4595-4598 - [c10]Duncan Williams, Alexis Kirke, Eduardo R. Miranda, Ian Daly, Etienne B. Roesch, James Weaver, Slawomir J. Nasuto:
Evaluation Perceptual Separation in an Pilot System for Affective Composition. ICMC 2014 - 2013
- [p4]Alexis Kirke, Eduardo R. Miranda:
An Overview of Computer Systems for Expressive Music Performance. Guide to Computing for Expressive Music Performance 2013: 1-47 - [p3]Eduardo R. Miranda, Alexis Kirke, Qijun Zhang:
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. Guide to Computing for Expressive Music Performance 2013: 99-121 - [p2]Alexis Kirke, Eduardo Reck Miranda:
Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency. Music and Human-Computer Interaction 2013: 171-188 - [e1]Alexis Kirke, Eduardo R. Miranda:
Guide to Computing for Expressive Music Performance. Springer 2013, ISBN 978-1-4471-4122-8 [contents] - 2012
- [c9]Alexis Kirke, Eduardo Reck Miranda, Slawomir J. Nasuto:
Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control. CMMR 2012: 490-499 - 2011
- [c8]Alexis Kirke, Matthieu Bonnot, Eduardo R. Miranda:
Towards using expressive performance algorithms for typist emotion detection. ICMC 2011 - [c7]Alexis Kirke, Samuel Freeman, Eduardo R. Miranda:
Application of multi-agent whale modeling to an interactive saxophone and whales duet. ICMC 2011 - [c6]Alexis Kirke, Eduardo R. Miranda:
Developing methods for computer programming by musical performance and composition. ICMC 2011 - [c5]Alexis Kirke, Eduardo R. Miranda:
Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence. ICMC 2011 - [c4]Alexis Kirke, Eduardo R. Miranda:
Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models. ICMC 2011 - [c3]Alexis Kirke, Eduardo R. Miranda, Antonino Chiaramonte, Anna R. Troisi, John Matthias, Jeff Radtke, Nicholas Fry, Catherine McCabe, Martyn Bull:
Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist. ICMC 2011 - 2010
- [j3]Eduardo Reck Miranda, Alexis Kirke, Qijun Zhang:
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. Comput. Music. J. 34(1): 80-96 (2010) - [p1]Eduardo R. Miranda, Alexis Kirke:
Game of Life Music. Game of Life Cellular Automata 2010: 489-501
2000 – 2009
- 2009
- [j2]Alexis Kirke, Eduardo Reck Miranda:
A survey of computer systems for expressive music performance. ACM Comput. Surv. 42(1): 3:1-3:41 (2009) - 2008
- [c2]Alexis Kirke, Eduardo R. Miranda:
An Instance Based Model for Generating Expressive Performance during Composition. ICMC 2008 - [c1]Alexis Kirke, Eduardo R. Miranda:
Comper: towards a Model for Generating Compositions from Expressive Music performances. ICMC 2008
1990 – 1999
- 1996
- [j1]Alexis J. Kirke:
A Short Term Memory for Neural Networks Which Allows Recognition and Reproduction of Complex Sequences of Integers with the Minimum Number of Weights. Neural Process. Lett. 3(1): 49-54 (1996)
Coauthor Index
aka: Eduardo R. Miranda
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