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2020 – today
- 2024
[c38]Carinna Parraman, Mike White, Laura Clarke, Tracy Hill, Matt Smith, Alicia Paz:
Translation in Transition: The Cabinet of Curiosities. EVA 2024: 224-231- 2021
- [c37]Carinna Parraman, Susanne Klein:
Colour Deceives Continually. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2021: 1-3 - [c36]Carinna Parraman, Fabio D'Agnano, Wuon-Gean Ho:
The Craftsperson, Tacit Knowledge, and Digital Embodiment. EVA 2021 - [c35]Abigail Trujillo-Vazquez, Donatela Saric, Susanne Klein, Carinna Parraman:
Influence of procedural noise on the glossiness of 2.5D printed patches. CIC 2021: 105-110 - 2020
- [c34]Abigail Trujillo-Vazquez, Susanne Klein, Xavier Aure Calvet, Carinna Parraman:
Retrieving the ancient colours: artistic practice as a tool for heritage reconstruction. CIC 2020: 282-287
2010 – 2019
- 2019
- [c33]Verity Winslow, Paul J. O'Dowd, Ian Chamberlain, Carinna Parraman:
Robotic Etching: The creation of digital etching using robotics. EVA 2019: 97-102 - [c32]Benedict R. Gaster, Nathan Renney, Carinna Parraman:
Fun with interfaces (SVG interfaces for musical expression). FARM@ICFP 2019: 25-36 - 2016
- [c31]Paul J. O'Dowd, Carinna Parraman, Mikaela Harding:
Vector Driven 2.5D Printing with Non-Photorealistic Rendering. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2016: 1-6 - [c30]Carinna Parraman, Judith Mottram:
How Red is Cadmium Red? Color Imaging: Displaying, Processing, Hardcopy, and Applications 2016: 1 - [c29]Carinna Parraman, Paul J. O'Dowd, Mikaela Harding:
2.5D Printing: The Evolution of the Water Lily. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2016: 1-8 - [c28]Carinna Parraman, Maria V. Ortiz Segovia:
An exploration of 2.5D printing as tactile pictures. Measuring, Modeling, and Reproducing Material Appearance 2016: 1 - 2015
- [c27]Melissa Olen, Adrian Geisow, Carinna Parraman:
An evaluation of the transferability of Munsell's colour notation methodology to modern inkjet printing technology. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2015: 93950D - 2014
- [c26]Melissa Olen, Joseph Padfield, Carinna Parraman:
Reproducing the old masters: applying colour mixing and painting methodologies to inkjet printing. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2014: 901507 - [c25]Carinna Parraman:
The visual appearance and surface texture of materials according to the old masters. Measuring, Modeling, and Reproducing Material Appearance 2014: 90180H - [c24]Flavia Tisato, Carinna Parraman:
An investigation into the micro surface of artworks using alternative lighting techniques. Measuring, Modeling, and Reproducing Material Appearance 2014: 901808 - 2013
- [c23]Carinna Parraman:
The development of vector based 2.5D print methods for a painting machine. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2013: 86520R - 2012
- [c22]Carinna Parraman:
Dark texture in artworks. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2012: 82920H - [c21]Carinna Parraman:
Colour print workflow and methods for multilayering of colour and decorative inks using UV inkjet for fine art printing. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2012: 82920Z - 2011
- [c20]Carinna Parraman, Alessandro Rizzi:
Knowledge exchange in the CREATE project - Colour Research for European Advanced Technology Employment. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2011: 78660G - [c19]Carinna Parraman, Sophie Adams-Foster:
Traditional approaches using new technologies: case studies of printed wallpaper using UV inkjet printing. DESIRE 2011: 297-306 - 2010
- [c18]Carinna Parraman:
Experiments in inkjet colour tests for printmaking. CGIV/MCS 2010: 107-112 - [c17]Carinna Parraman:
The development of artists' novel colour palettes for inkjet printing. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2010: 75280B - [c16]Carinna Parraman, John J. McCann
, Alessandro Rizzi:
Artist's colour rendering of HDR scenes in 3D Mondrian colour-constancy experiments. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2010: 752802 - [c15]John J. McCann, Carinna Parraman, Alessandro Rizzi:
Pixel and spatial mechanisms of color constancy. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2010: 752803 - [c14]Carinna Parraman:
The drama of illumination: artist's approaches to the creation of HDR in paintings and prints. Human Vision and Electronic Imaging 2010: 75270 - [c13]John J. McCann, Vassilios Vonikakis, Carinna Parraman, Alessandro Rizzi:
Analysis of Spatial Image Rendering. CIC 2010: 223-228
2000 – 2009
- 2009
- [c12]Carinna Parraman, Alessandro Rizzi, John J. McCann:
Color appearance and color rendering of HDR scenes: an experiment. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2009: 72410R - [c11]Yu Wang, Carinna Parraman:
On determining the color gamut of N-ink printers. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2009: 72410X - [c10]Carinna Parraman, Yu Wang:
Printability beyond the limits: Alternative double printing method for inkjet. Color Imaging: Displaying, Processing, Hardcopy, and Applications 2009: 72411G - [c9]John J. McCann, Carinna Parraman, Alessandro Rizzi:
Reflectance, illumination and edges. CIC 2009: 2-7 - 2008
- [c8]Carinna Parraman, Peter Walters, Brendan Reid, David Huson:
Specifying colour and maintaining colour accuracy for 3D printing. Three-Dimensional Image Capture and Applications 2008: 68050L - [c7]Carinna Parraman:
Colour in flux: describing and printing colour in art. Color Imaging: Processing, Hardcopy, and Applications 2008: 68070N - 2007
- [c6]Carinna Parraman, Alessandro Rizzi:
User preferences in color enhancement for unsupervised printing methods. Color Imaging: Processing, Hardcopy, and Applications 2007: 64930U - 2005
- [c5]Carinna Parraman, Paul Thirkell, Steve Hoskins, Hongqiang Wang, Paul Laidler:
Customizing digital printing for fine art practice. Color Imaging: Processing, Hardcopy, and Applications 2005: 465-472 - 2003
- [c4]Carinna Parraman, Stephen Hoskins:
The Practical application of an artist's colour model as an alternative to CMYK. Color Imaging: Processing, Hardcopy, and Applications 2003: 129-137 - [c3]Carinna Parraman:
A Visual Survey of Colour on Paper and Colour Changes During Exposure to Light. CIC 2003: 272-276 - [c2]Carinna Parraman:
Digital Printing for Artists. PICS 2003: 455-460 - 2001
- [c1]Carinna Parraman, Stephen Hoskins:
The Impact of Paper on Ink: from the Photomechanical Printer's Perspective. CIC 2001: 214-218
Coauthor Index
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