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Lauren Hayes
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2020 – today
- 2021
- [j2]Lauren Hayes
, Adnan Marquez-Borbon:
Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies. Comput. Music. J. 44(2-3): 24-38 (2021) - 2020
- [c11]Yanjun Lyu, Brandon Mechtley, Lauren Hayes, Sha Xin Wei:
Tableware: Social Coordination Through Computationally Augmented Everyday Objects Using Auditory Feedback. HCI (47) 2020: 332-349 - [c10]Lauren Hayes, Adnan Marquez-Borbon:
Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. NIME 2020: 428-433 - [i3]Gabriella Isaac, Lauren Hayes, Todd Ingalls:
Cross-Modal Terrains: Navigating Sonic Space through Haptic Feedback. CoRR abs/2012.00922 (2020) - [i2]Lauren Hayes, Adnan Marquez-Borbon:
Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. CoRR abs/2012.00923 (2020) - [i1]Lauren Hayes:
Enacting Musical Worlds: Common Approaches to using NIMEs within Performance and Person-Centred Arts Practices. CoRR abs/2012.00927 (2020)
2010 – 2019
- 2019
- [c9]Brandon Mechtley, Todd Ingalls, Lauren Hayes
, Byron Lahey, Jessica J. Rajko, Seth Dominicus Thorn
, Robert LiKamWa, Julian Stein, Garrett Laroy Johnson, Emiddio Vasquez, Connor Rawls, Peter Weisman, Assegid Kidané, Sha Xin Wei:
Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures. TEI 2019: 707-709 - [e1]Stacey Kuznetsov, Daniel Saakes, Ron Wakkary, Luc Geurts, Lauren Hayes, Manfred Lau:
Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction, TEI 2019, Tempe, AZ, USA, March 17-20, 2019. ACM 2019, ISBN 978-1-4503-6196-5 [contents] - 2018
- [c8]Lauren Hayes
:
Live Electronic Music Performance: Embodied and Enactive Approaches. MOCO 2018: 52:1-52:3 - 2017
- [j1]Lauren Hayes
:
Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education. Comput. Music. J. 41(3): 36-49 (2017) - [c7]Lauren Hayes
, Jessica J. Rajko:
Towards an Aesthetics of Touch. MOCO 2017: 22:1-22:8 - [c6]Gabriella Isaac, Lauren Hayes, Todd Ingalls:
Cross-modal terrains: navigating sonic space through haptic feedback. NIME 2017: 38-41 - 2016
- [c5]Lauren Hayes:
Sound, Electronics and Music: an evaluation of early embodied education. ICMC 2016 - 2015
- [c4]Lauren Hayes
:
Skin Music (2012): an Audio-Haptic Composition for Ears and Body. Creativity & Cognition 2015: 359-360 - [c3]Lauren Hayes:
Enacting musical worlds: common approaches to using nimes within both performance and person-centred arts practices. NIME 2015: 299-302 - 2012
- [c2]Lauren Hayes:
Performing articulation and expression through a Haptic Interface. ICMC 2012 - 2011
- [c1]Lauren Hayes:
Vibrotactile Feedback-Assisted Performance. NIME 2011: 72-75
Coauthor Index
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