File:Signature Amasis Louvre F30.jpg
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Size of this preview: 800 × 533 pixels. Other resolutions: 320 × 213 pixels | 640 × 427 pixels | 1,024 × 682 pixels | 1,280 × 853 pixels | 1,550 × 1,033 pixels.
Original file (1,550 × 1,033 pixels, file size: 1.06 MB, MIME type: image/jpeg)
File information
Structured data
Captions
Summary
[edit]Artist |
Amasis, potter (signed); Amasis Painter |
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Description |
English: Amasis' signature (ΑΜΑΣΙΣ ΜΕΠΟΙΕΣΕΝ), rotated 90° anticlockwise, detail from a scene representing Herakles entering Olympus. Attic black-figure olpe, 550–530 BC.
Français : Signature d'Amasis (ΑΜΑΣΙΣ ΜΕΠΟΙΕΣΕΝ), tourné à 90° dans le sens inverse des aiguilles d'une montre, détail d'une scène représentant l'entrée d'Héraclès dans l'Olympe. Olpè attique à figures noires du potier Amasis (signature) et du Peintre d'Amasis, 550-530 av. J.-C. |
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Dimensions | H. 26.4 cm (10 ¼ in.), Diam. 13.5 cm (5 ¼ in.) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q19675 |
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Current location |
Department of Greek, Etruscan and Roman antiquities in the Louvre, Sully, first floor, room 42, case 4 |
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Accession number |
F 30 |
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Credit line | Purchase, 1880 | |||||||||||||||||||||||
Source/Photographer | Jastrow (2007) | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]Public domainPublic domainfalsefalse |
I, the copyright holder of this work, release this work into the public domain. This applies worldwide. In some countries this may not be legally possible; if so: I grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 13:41, 14 January 2007 | 1,550 × 1,033 (1.06 MB) | Jastrow (talk | contribs) | {{Louvre-ext |Amasis, potter (signed); Amasis Painter |Amasis' signature (ΑΜΑΣΙΣ ΜΕΠΟΙΗΣΕΝ), rotated 90° anticlockwise, detail from a scene representing Herakles entering Olympus. Attic black-figure olpe, 550–530 BC. |H. 26.4 cm (10 ¼ i |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D200 |
Author | Marie-Lan Nguyen |
Copyright holder | Public Domain |
Exposure time | 1/20 sec (0.05) |
F-number | f/5.6 |
ISO speed rating | 500 |
Date and time of data generation | 15:18, 12 January 2007 |
Lens focal length | 200 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | DxO Optics Pro Standard 4.1 (MacOS X) W1BMVDDCW2TFW3G |
File change date and time | 15:18, 12 January 2007 |
Exposure Program | Aperture priority |
Date and time of digitizing | 15:18, 12 January 2007 |
APEX shutter speed | 4.321928 |
APEX aperture | 4.97085 |
APEX exposure bias | −0.33333333333333 |
Maximum land aperture | 5 APEX (f/5.66) |
Metering mode | Center weighted average |
Light source | Tungsten (incandescent light) |
Flash | Flash did not fire |
DateTime subseconds | 41 |
DateTimeOriginal subseconds | 41 |
DateTimeDigitized subseconds | 41 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 300 mm |
Scene capture type | Standard |
Scene control | Low gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS tag version | 2.2.0.0 |