Les representations de chariots sont abondantes a la periode Han (206 av. J.-C. - 220 apr. J.-C.)... more Les representations de chariots sont abondantes a la periode Han (206 av. J.-C. - 220 apr. J.-C.). Cet article traite des images de chariots figurant des processions funeraires ainsi que les voyages imaginaires des âmes, liant vie presente et vie future apres la mort, dans un voyage metaphorique permanent. L'auteur tente de decouvrir la logique du rituel funeraire et de l'art rituel et etudie les role de ces images dans le mouvement et le temps. En retracant le developpement de la pratique funeraire de l'enterrement des chariots sous les Han Occidentaux a la subsitution d'image sous les Han orientaux, on comprend mieux le mecanisme de creation artistique
In this first systematic introduction to contemporary Chinese art, Wu Hung provides an accessible... more In this first systematic introduction to contemporary Chinese art, Wu Hung provides an accessible, focused and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s. From its underground genesis during the Cultural Revolution (1966-76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world where the distinctions between Eastern and Western culture are rapidly collapsing. The book is a richly illustrated and easy-to-navigate chronological survey that considers contemporary Chinese art both in the context of China's specific historical experiences and in a global arena. Wu Hung explores the emergence of avant-garde or contemporary art - as opposed to officially sanctioned art - in the public sphere after the Cultural Revolution; the mobilization by young artists and critics of a nationwide avant-garde movement in the mid-1980s; the re-emphasis on individual creativity in the late 1980s, the heightened spirit of experimentation of the 1990s; and the more recent identification of Chinese artists, such as Ai Weiwei, as global citizens who create works for an international audience.
... I reached this second conclusion after an exhausting but unproductive search for "ru... more ... I reached this second conclusion after an exhausting but unproductive search for "ruin pictures" and ... predominately red), production (random participation of the "masses"), and psychologicalimpact (sense of ... A historian of western contemporary art may be shocked to find that in ...
Les representations de chariots sont abondantes a la periode Han (206 av. J.-C. - 220 apr. J.-C.)... more Les representations de chariots sont abondantes a la periode Han (206 av. J.-C. - 220 apr. J.-C.). Cet article traite des images de chariots figurant des processions funeraires ainsi que les voyages imaginaires des âmes, liant vie presente et vie future apres la mort, dans un voyage metaphorique permanent. L'auteur tente de decouvrir la logique du rituel funeraire et de l'art rituel et etudie les role de ces images dans le mouvement et le temps. En retracant le developpement de la pratique funeraire de l'enterrement des chariots sous les Han Occidentaux a la subsitution d'image sous les Han orientaux, on comprend mieux le mecanisme de creation artistique
In this first systematic introduction to contemporary Chinese art, Wu Hung provides an accessible... more In this first systematic introduction to contemporary Chinese art, Wu Hung provides an accessible, focused and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s. From its underground genesis during the Cultural Revolution (1966-76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world where the distinctions between Eastern and Western culture are rapidly collapsing. The book is a richly illustrated and easy-to-navigate chronological survey that considers contemporary Chinese art both in the context of China's specific historical experiences and in a global arena. Wu Hung explores the emergence of avant-garde or contemporary art - as opposed to officially sanctioned art - in the public sphere after the Cultural Revolution; the mobilization by young artists and critics of a nationwide avant-garde movement in the mid-1980s; the re-emphasis on individual creativity in the late 1980s, the heightened spirit of experimentation of the 1990s; and the more recent identification of Chinese artists, such as Ai Weiwei, as global citizens who create works for an international audience.
... I reached this second conclusion after an exhausting but unproductive search for "ru... more ... I reached this second conclusion after an exhausting but unproductive search for "ruin pictures" and ... predominately red), production (random participation of the "masses"), and psychologicalimpact (sense of ... A historian of western contemporary art may be shocked to find that in ...
Uploads
Papers