Papers by Marijke Goeting
Lecture Notes in Computer Science, 2019
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미술이론과 현장, Dec 31, 2014
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APRIA, Mar 4, 2021
During the past decade, computers have broken through the barrier of human time. Today, computers... more During the past decade, computers have broken through the barrier of human time. Today, computers can process data in milli-, micro- and even nanoseconds and can (inter) act autonomously in time frames that exceed our capacity to perceive and respond to. This produces a fundamental problem – a gap between human time and the time of computers – and raises important questions: how do big data and fast computation affect our experience and understanding of time? If a computer is able to deal with the world faster than we can, are we doomed to live forever in the past, however near the present? Or are we dealing with a technological extension of the present, and how might we be able to understand and experience this? By analysing theory and works of art, this text examines how to deal with the shock produced by microtemporal technologies.
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APRIA Journal, Mar 4, 2021
This issue of APRIA Journal, Time Matters, was compiled and edited by the ArtEZ Theory in the Art... more This issue of APRIA Journal, Time Matters, was compiled and edited by the ArtEZ Theory in the Arts professorship. All of these reviewed artistic (research) and academic contributions were created and written specially in response to the fourpart seminar Time Matters (2019-2020). The aim of the publication and the seminar is to inquire into the changing concepts of time in the arts and other epistemic fields collectively, and to explore and test alternative – past, present and future oriented – temporalities. Authors: Peter Sonderen, Laurie Hermans, Katía Truijen, Ienke Kastelein, Marijke Goeting, Jesse Ahlers, Paula Walta, Claudia Molitor, Liza Rinkema, Terike Haapoja, Alice Smits, Rick Dolphijn, Sharon Stewart, Frans Sturkenboom, Saskia Isabella Maria Korsten, Korsten&De Jong, Joep Christenhusz, Sophie Krier, Christel Vesters, Monique Peperkamp, Laurie Hermans.
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During the past decade, computers have broken through the barrier of human time. Today, computers... more During the past decade, computers have broken through the barrier of human time. Today, computers can process data in milli-, micro- and even nanoseconds and can (inter) act autonomously in time frames that exceed our capacity to perceive and respond to. This produces a fundamental problem – a gap between human time and the time of computers – and raises important questions: how do big data and fast computation affect our experience and understanding of time? If a computer is able to deal with the world faster than we can, are we doomed to live forever in the past, however near the present? Or are we dealing with a technological extension of the present, and how might we be able to understand and experience this? By analysing theory and works of art, this text examines how to deal with the shock produced by microtemporal technologies.
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Today, computer vision is broadly implemented and operates in the background of many systems. For... more Today, computer vision is broadly implemented and operates in the background of many systems. For users of these technologies, there is often no visual feedback, making it hard to understand the mechanisms that drive it. When computer vision is used to generate visual representations like Google Earth, it remains difficult to perceive the particular process and principles that went into its creation. This text examines computer vision as a medium and a system of representation by analyzing the work of design studio Onformative, designer Bernhard Hopfengartner and artist Clement Valla. By using technical failures and employing computer vision in unforeseen ways, these artists and designers expose the differences between computer vision and human perception. Since computer vision is increasingly used to facilitate (visual) communication, artistic reflections like these help us understand the nature of computer vision and how it shapes our perception of the world.
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The Journal of Art Theory and Practice, 2014
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Papers by Marijke Goeting