A young orphan is sent to the village of Moonfleet in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but leads a gang of swashbuckling bootleggers;... Read allA young orphan is sent to the village of Moonfleet in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but leads a gang of swashbuckling bootleggers; the duo go on a treasure hunt.A young orphan is sent to the village of Moonfleet in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but leads a gang of swashbuckling bootleggers; the duo go on a treasure hunt.
- Awards
- 1 nomination
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe boy, John Mohune, is much older in the novel, in his mid-teens at the start; the action of the novel takes place over a period of more than ten years in which he grows to manhood. He spends some of that time in a foreign prison.
- GoofsRight at the beginning of the film, when the little boy comes to, there's a shot where we can see the people surrounding him (as seen by the boy). But judging by the boy's place on the table in the next shot, he should be looking at the people upside down.
- Quotes
Mrs. Minton: Jeremy, why didn't you tell me?
Jeremy Fox: She's dead, Ann.
Mrs. Minton: Not to you, Jeremy. That's why we had to leave the islands, isn't it? To come back here to this cursed house, her house. It would have been better for both of us if you'd told me.
Jeremy Fox: So that you could give me the benefit of your compassion?
Mrs. Minton: No, Jeremy, but at least I would have known what lay ahead of me. I would have known how foolish I was to be jealous of the others. The women that you play with to fill the emptiness which is your life!
- ConnectionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
MGM executives must have decided that even with Fritz Lang, Moonfleet was not going to be a hit, which could explain the truncated story line and the always gloomy (cheaply processed) photography. On the TCM broadcast I saw, Moonfleet was in widescreen and had closed captioning. Looking as good as it ever will until the movie has a full restoration, Moonfleet is just too slow paced, without real kinetic energy. The talent is there, but probably for reduced budget reasons, Moonfleet can't grab your attention and keep it for even 87 minutes.
Addendum: I just watched parts of Moonfleet again, from a download of a bittorrent file made from the French Time Warner DVD of this movie (An AOL Company was still part of the logo then, only two years ago). In a lot of ways, this movie is a reflection of the decline of Hollywood and the importance of movie studios in general. Director Fritz Lang worked for the UFA movie studios in the 20s making silents, made talkies in the 30s first in Europe then in Hollywood, and was running out the string in Hollywood when he made Moonfleet. At the end of the movie, when young Mohune leaves open the gate of Mohune manor, the gesture does not really change things.
The MGM logo included a gate in it, the entrance to a great movie studio. There is a silent 1926 documentary made by MGM showing the different departments in the dream factory, from warehouses full of period furniture to group shots of directors and cameramen and even a garage where wind machines and power trucks were kept. MGM was a giant movie company from the start when it combined Goldwyn's studio with Metro. Less than 30 years after that silent, the MGM studio was like the desolate Mohune family manor, its contract players and staff released, its Loew's theaters sold on the cheap, its Hollywood studio barely holding on as its New York board of directors decided to fire production head Dore Schary and cut movie production, placing the studio's survival on big pictures like Raintree County, Ben-Hur and How The West Was Won.
Moonfleet is still with us, but MGM is now completely gone, its name tagged onto a film releasing company but the last of its small studio staff given their walking papers about two years ago. The fatalistic atmosphere that permeates many scenes in Moonfleet may be Fritz Lang's doing, but it could just as well be that it was hard for MGM staffers to think about happy endings as their studio was going under. And MGM's decline mirrored what was happening in the rest of Hollywood.
Under the conditions then, it was an accomplishment for the studio to make Moonfleet, hiring the talent not on payroll, preparing the sound stages for production and shooting the movie using the cheap Eastmancolor film. But to me, the picture is too much of a downer, the photography too dim and the storyline incomplete. Moonfleet is worth watching, it has a great cast but the movie needed a bigger budget to pay for better production values and scenes showing what Stewart Granger's character did after leaving Mohune manor. By 1954, MGM wasn't going to gamble on spending a lot of money on Moonfleet.
20 Oct 2012: Just looked at the review ratings here. Someone in 2006, probably another reviewer, seems to have decided to hand out multiple negative ratings to almost all the earlier reviews. I couldn't care less about the number of "not helpful" marks I got. Still, why hand out more than one negative to the same review? Nobody really cares. Maybe the guy thought giving out negatives would get his or her review posted on the front page. If so, a pathetic commentary on one useless human being who visited the "Moonfleet" IMDb page.
- gerrythree
- Mar 16, 2005
- Permalink
- How long is Moonfleet?Powered by Alexa
Details
Box office
- Budget
- $1,955,000 (estimated)
- Runtime1 hour 27 minutes
- Aspect ratio
- 2.55 : 1