Inundation: not the wave I was expecting
(This post is #34 in my Substack series, Metaphor Mondays.)

Late afternoon on July 29, an earthquake measuring 8.8 on the Richter scale struck eastern Russia. I was on my bed, taking a nap. I had spent another exhausting week in Portland with my 90-year-old dad, who was receiving hospice care. He’d been living with my sister and brother-in-law for a year, since his kidney cancer surgery. On that Tuesday, I had headed back to the coast for a few days rest, according to a break schedule my three siblings and I had agreed on.
The earthquake struck at 4:24 pm Pacific time. I woke about an hour later to see the many earthquake alerts. I subscribed to these alerts ever since I first learned how close I live to the Cascade Subduction Zone (Metaphor Monday #12). This earthquake occurred on the Kuril-Kamchatka Subduction Zone. It resulted in a massive shift of water, a typical cause of tsunamis. We were warned hours in advance of the potential for a long distance tsunami to arrive on our coast. Eventually, there was some damage to the U.S West Coast in the early hours of July 30. I went out to the beach in the morning for a bit, which is when I got this photo of the advisory sign.
Even though I was supposed to stay home for a few days, I decided to leave again on that afternoon. My siblings had described a very rough night settling my father into a new hospital bed. I couldn’t relax being two hours away. I knew I wanted to be there for them all at the end. And it came on Thursday, July 31.
Ever since I moved to the coast, the tsunami as metaphor has loomed large. When I contemplate such great forces outside of my control, the fragility of existence is clear. But today I realized that a tsunami is a near perfect metaphor for grief.
Far out at sea, ships might not notice a tsunami. The waves don’t crest and the swells are spread out. But they are quietly moving very fast. When they approach the shore, they pick up height, and then the water is relentless. I’ve watched lots of footage of the recent Indian Ocean and Japanese tsunamis. Manzanita will have some warning before the arrival of the terrifying wave that will inundate our town. But the foreknowledge can’t stop it.
There’s been an undercurrent all the years that I’ve watched the decline in my dad’s vitality. A foreboding: a loss is on its way. I knew I would grieve, but I didn’t know what it would be like.
I’ve come through the initial inundation. The water has receded, exposing the flotsam and jetsam of feelings. Strong love and gratitude for my family. Confusing feelings of resentment and frustration that I didn’t have some kind of movie-quality breakthrough in mutual understanding with my father. Uncertainty and dread—and a hint of the freedom that comes when I am reminded that life is truly short and I need to stop second guessing myself.
Tsunamis come in a “wave train.” It is not one and done, and I know it’s the same for grief and me. But I’m ready to get back to my life.

Above: Bob MacDonald, Sr., my dear dad, on a misty Manzanita Beach morning last summer when I saw my first fogbow. Below: the author with her 25-year-old father in Miami, soaking up the joy of being daddy’s girl and first child.

Metaphor Monday #34
Impermanence
It’s not impermanence that makes us suffer. What makes us suffer is wanting things to be permanent when they are not. – Thich Nhat Hanh
Big Log, pictured above, arrived on Manzanita Beach in January. It was an impressive presence at 32 ft. long and 2.5 ft. in diameter. Winter storms eventually pushed Big Log up next to the dunes in March.
Recently, the sand level has shifted. I have been away from the beach most of the summer, so I notice it during my brief visits home. Now Big Log is practically buried in new sand drifts. (below right)
The same thing is happening to Biggish Log (only 25 ft. long), which arrived in May and hasn’t moved much.
It’s driftwood. I know that impermanence is suggested right there in the name. But I’ll always be a little sad when familiar things change. Or disappear altogether.
Metaphor Monday #33
Life has been chaotic for me lately. I’ve been busy with family stuff in Portland most of July. But I did get back to the coast for a very misty morning, and wanted to to share some chaotic wave footage with the Pacific Wave Appreciation Society, plus a seagull who also appreciates the waves.

Obscured
I am still in Portland, but I managed a quick overnight at the coast. I got out for a misty morning walk. It can be tricky to find enough contrast in the mist, but I was lucky to get a couple of good shots. This seagull cooperated by standing in profile and gazing out at the waves. I like to imagine the lone seagull is lost in contemplation, though it is probably just wondering what’s for breakfast.
I like the combination of serene and mysterious in the photo below, with just a hint of the mountain in the background. You don’t have to see it to know it’s there.
Metaphor Monday #32
Elk butts
A tale of serendipity
I’ve been away unexpectedly from the coast the last week and a half. I have no new photos, and I don’t have the energy to go exploring in Portland, where I’m staying. So I decided to have a look at my July 7 photos from last year. It turns out that it was a significant day for me as a photographer. I captured a photo of two elk in the morning mist that is one of the most popular photos I’ve ever taken.
But I also got a lot of elk butts, like the one above. I took 61 photos in five minutes when I saw the elk in the dune grass. One is pretty spectacular. The other photos are ok at best. I almost never delete photos, and I’m glad I didn’t delete these. It’s good to see what happened that morning. The spectacular photo wasn’t the first one I shot or the last. The conditions weren’t ideal, until they were.
PS. The elk pair photo (shown at the lower right) is available as a greeting card on my Etsy store.
Metaphor Monday #31
Return
I'm back home. Not planning any extended absences any time soon. Still recuperating from all the travel and socializing and learning. Figuring out how to re-establish my daily practices. I haven't written much while on the road. It will take me a little while to get back in the habit. I don't have anything profound to write about today.
PS. The starfish say “hi!”
Metaphor Monday #30
Where's your Walden?
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.”
Another week away from the Oregon Coast. I was on Cape Cod this weekend to meet some dear sober friends for the first time, four women who were part of the community I joined on my Day 1. That connection was magical.
Because I would be on the Atlantic coast, I assumed I would feature that ocean this week on Metaphor Monday. An impromptu visit to Walden Pond changed my plan. My niece’s boyfriend, a local, suggested it. I hadn’t given much thought to Walden since high school lit class. But as soon as he made the suggestion, I knew I had to go.
I recently got new insights into Thoreau’s calling when I read The Great Work of Your Life by Stephen Cope. As a young writer, Thoreau tried to break into the literary scene of New York City. It didn’t work out. He did not fit at the literary salons nor did his writing gain attention from publishers. He found his true calling at Walden. That journey to becoming a solitary observer of nature and devotee of simplicity feels familiar to me.
At the visitor’s center, there is a map of the world with markers where people have added the places in nature that are special to them. “Where’s your Walden?” the sign asks. I can answer that question so easily now. I entered my details for Neahkahnie Beach.
Photo above: A sign at the site of Thoreau’s 10’ x 15’ house, which is marked by small stone pillars in the background.
Metaphor Monday #29
Scene change
I went to the Columbia River Gorge to attend a training at the Menucha Retreat and Conference Center. I had always heard this property was beautiful, but never had the opportunity to see it before. The setting is spectacular, with vistas over the Gorge that face both east and west. I was a participant in The Hearth Community’s Transformational Community Storytelling training. It was intense. I am still processing everything that I learned and experienced.
The group, about 40 people from 17 states and 3 countries, took a break after dinner one night and went to nearby Multnomah Falls. I’ve been to Oregon’s most popular tourist attraction many times, but never in the evening. It was a treat to be there without the usual crowds. When I took some time away from the group, I was able to experience the power of this natural water wonder that reminded me of my walks by the Pacific Ocean: endless, always moving, radiating energy.
Metaphor Monday #28
Day 3 of the Micro.blog photo challenge. Prompt: shadow

Day 2 of the Micro.blog photo challenge. Prompt: curve
Very low tide reveals the curves in what I think of as the sand labyrinth.

Negative
When you find yourself researching statistics to explain what a negative tide level is, it’s time to step away from the internet.
I may not understand the difference between mean and average. I may scratch my head at the terms mean low water (MLW) vs. mean lower low water (MLLW). (Here are NOAA’s definitions, for your reference.)
What I know: it’s exciting when the tide level goes down into negative numbers. Last week on Tuesday and Wednesday, the level was – 2.9 ft, i.e. almost three feet below the average. Or the mean… The lowest tide we will have this year, I was told.
What it means: all the sand and rocks in these photos, usually underwater, are revealed. I can walk nearly an extra quarter mile north toward the rocky promontory of Neahkahnie Mountain. That is why negative tides are a positive on my calendar.
Metaphor Monday #27
Traces
I noticed these bright green patches in the sand on Sunday morning at low tide. Because I walk this stretch of beach regularly—because I pay close attention these days—I know these patches are algae attached to the ridges of an enchanting elongated basin-shaped rock that I have photographed before. (below)
Rocks like these have made me aware how much the sand shifts. (Metaphor Monday #11) I had never seen this basin during my first year on the coast. Maybe I had never noticed it, or maybe the sand level was too high. Now I look for it at low tide along with the other rocks. Even if I can’t see it, I like knowing it’s there.
Metaphor Monday #26
Elements
Sometimes a combination of water, wind, sand, and light comes together just right in the frame of the camera app's view. Clouds in the sky and clouds on the shore, reflected on the textures created by the waves. Dark blue, browns, and grays.
I love these views more than the sunny ones. This photo will never be a postcard in the local gift shop, emblazoned with the words “Greetings from the Oregon Coast!” But I am going to print it anyway, and send it to someone who appreciates these elements like I do.
Metaphor Monday #25
Changeable
I started collecting triangle-shaped stones on the beach when I moved here two years ago. The shape has many symbolic uses. I’m particularly drawn to it as a mathematical symbol in the form of the Greek letter Delta (Δ), which stands for “change of any changeable quantity.” (mathconverse.com)
These last few years, I have discovered that I am a changeable quantity. I quit drinking. I started writing. I moved to a small town, and enjoy the quiet, slow environment after a lifetime of city dwelling. Lots of triangle-shaped rocks turned up on my morning walks.
Lately, though, I’m having trouble finding new triangles to add to my collection. The photo with seven triangles on the sand is almost a year old. Maybe the universe is telling me I’ve collected enough change for now.
Metaphor Monday #24
Stranded (Metaphor Monday #23)
Velella velella is the Latin name for a “free-floating hydrozoan that lives on the surface of the open ocean." (Wikipedia) They are also known as “by-the-wind sailors.”
When I first saw them on the Oregon coast, I thought they were tiny Portuguese Man O’Wars, the large blue jellyfish-like creature that terrorized my toes with their stinging tentacles during childhood visits to the beaches of South Florida. The velellas do belong the same Phylum (Cnidaria) and Class (Hydrozoa), so they are related.
These little sailors are considered “cosmopolitan,” meaning that they are found all around the globe. More from Wikipedia: “V. velella is at the mercy of prevailing winds for moving around the seas.” They have a sail but no rudder or locomotion, making them subject to mass strandings.
No wonder they are blue. I’ve seen thousands of them, piled up on the beach in the spring. When they’ve been stranded long enough, dried out in the sun and air, they turn white, never to sail the seven seas again.
(This post originally appeared in my Metaphor Monday series on Substack, May 5, 2025)




Biggish Log still there. In the same spot.
I’ve marked it using an app called What 3 Words, which has applied a 3 meter square grid to the world and assigned a three word phrase to each square. Biggish Log is located at nuance.enough.budgets.
Stranded
Velella velella is the Latin name for a “free-floating hydrozoan that lives on the surface of the open ocean." (Wikipedia) They are also known as “by-the-wind sailors.”
When I first saw them on the Oregon coast, I thought they were tiny Portuguese Man O’Wars, the large blue jellyfish-like creature that terrorized my toes with their stinging tentacles during childhood visits to the beaches of South Florida. The velellas do belong the same Phylum (Cnidaria) and Class (Hydrozoa), so they are related.
These little sailors are considered “cosmopolitan,” meaning that they are found all around the globe. More from Wikipedia: “V. velella is at the mercy of prevailing winds for moving around the seas.” They have a sail but no rudder or locomotion, making them subject to mass strandings.
No wonder they are blue. I’ve seen thousands of them, piled up on the beach in the spring. When they’ve been stranded long enough, dried out in the sun and air, they turn white, never to sail the seven seas again.
Metaphor Monday #23
Driftwood update: New log, almost 25 ft long. 7 ft shorter than Big Log. Right now I’m calling Biggish Log. (Yes, biggish is a word.😏)
For the Pacific Wave Appreciation Society, live from the beach (video + photo). A semi-cloudy not-raining early morning walk is my favorite. Starfish Rock in high tide waves. 🌊⛅️

What I've Been Doing Lately: Substack and Etsy
tl;dr I am posting short essays and photos on Substack and selling my photos as greeting cards on Etsy
Metaphor Mondays
I’ve been experimenting for a few months with a weekly newsletter that combines a short post + photos. It’s been a good writing project to focus while I am between drafts of my book. It’s nice to have something bite-sized.
After years at Micro.blog advocating for the independent open web, after quitting my active social media accounts (Facebook, Instagram, Twitter), it did feel weird to join a mega platform like Substack, which is why I’ve been treading slowly and quietly. A few of my favorite writers publish on Substack. I like the low key interactions in the comments. I also appreciate why these writers would prefer publishing on Substack versus launching an independent blog. They are looking for a certain kind of connection with readers. They want to share with smaller communities. And they don’t want to deal with the technical details of setting up a blog.
I have myself been shifting away from screen time. I don’t keep up with the latest devices and technological advances. I spend more time outdoors than I did when I was working in tech. During morning walks on the beach, I’ve noticed Nature always offers a lesson. The ocean is a metaphor-making machine. So I started collecting the metaphors, both in photos and in writing, and publishing them weekly in a series I call Metaphor Monday. 🌊🌧️
I haven’t forgotten the IndieWeb lesson about the importance of publishing under my own domain name where I have control of what happens with my work. I’m importing all the Substack posts to my microblog, and will repost future Metaphor Mondays as blog posts.
If you’d like to follow along on Substack, please subscribe. The content is the same for free and paid subscribers. The only perk is that I periodically send cards featuring my photos to paid subscribers. In the mail with a stamp, of course. If you know me, you know I like to send things via snail mail. 📬
And speaking of cards…
Well-Tempered Cards
Photography has long been one of my interests. I take lots of photos during my daily walks on the beach. I have been keeping it simple, doing all my photography and videography with my iPhone (currently the 16 Pro).
Last summer, I was inspired to make my own greeting cards. I had been buying a certain card with a photo of a cairn stacked by the ocean. It was a nice metaphor for progress and balance, and I sent it to my sober friends when they hit a milestone. One day, it struck me, “I can stack stones myself and photograph them.” I had several photos that would make nice metaphor-inspired cards.
Then I started an Etsy store as an experiment, and I’m still experimenting. It’s been a fun learning process. I have more ideas for card sets to work on this summer. The cards are priced at $5 + shipping. I’m printing them in very small batches at Moo.com for now. I learned at Micro.blog the joy of starting small and seeing what happens. 😇

I wrote this post in an effort to integrate my blog and my other online adventures. Ever since Micro.blog launched in 2017, I had a central place where I posted writing and photos, syndicating to other platforms. I wasn’t sure if I would really take to Substack (and I still have some misgivings), so I kept it separate. And that led me to post less often on my own blog (which crossposts to Mastodon and Bluesky). I didn’t feel good. Going forward, I want to see if I can feel less scattered.