now i am willing to share the site publicly, but the whole site and its subdomains are locked behind basic auth, which is a browser login prompt when you load the site. this is to keep random people out as this is meant for just me and my friends. i will give a hint for the login though: slay!
disclaimers: this is neither an alternative OR competitor to dreamwidth. i am just fucking around with it and having fun. there's a reason i'm controlling access to it so tightly. do not assume anything of me or the site just because i host dreamwidth's code.
much thanks to dreamwidth's devs for helping me with the site and putting up with my many boneheaded questions lol! i will be posting a write-up soon documenting how i pushed the site to production in docker. expect that guide either on superlove or here or github.
notable custom features (i guess they can be called that?): custom profile site fields for superlove & fediverse & dreamwidth, icon file size is 200kb, everyone has 300 icon slots, renames are free (just gotta ask me to do it)
if you want in, be sure that 1) i know you 2) i can trust you 3) if i only know you on here and nowhere else you have less of a chance of getting in but still shoot your shot i guess
anyway... finally introducing, love4eva!
yeah i don't really know what this one is about. it's personal but much less personal than my last personal poems. does that make any fucking sense? no clue. i just wanted to write something like sad and introspective but without being as close to me as my last two poems minus the keyakizaka46 poem that i didn't post here because it wasn't personal enough for this journal.
ahhh, i should really get in the rhythm of sharing whatever i make whenever i make it, despite my mind wanting everything to fit neatly into little organized tagged boxes! ok so since i didn't post that keyaki poem i'll post that one under a cut first and then after that cut i'll share the new poem. ok. i just immediately decided this while writing so yeah.
funeral pyre (keyakizaka46, 2024-04-16, 328 words)
i think there's something brave / in being able to sing at your own funeral
keyakizaka46 asked,
in their final moments,
center-less and unfocused,
but determined,
'who will ring the bell?'
'bear such a heavy responsibility?'
and they cry that out in my ears
that endless self-assertion
self-determination
is 'nothing but noise'
i think there's something brave
in being able to sing at your own funeral
to dance and perform for your fading fans
in the same jackets you performed funeral songs to
the funeral of your own center
cradled in the middle
isolated
curled into herself
into her forest green jacket
as the rest of you lay like shrubs nestled next to each other
a field you all created
one solitary leaf in the middle
rustled and crunched and torn
'when will our bell ring?' they ask
but they knew, didn't they
the moment hirate left,
that was their bell ringing,
the end of them
idols must know when their time is up
but to know as a group is a special kind of horror
i can only assume
i don't perform my life for others
but sometimes it feels like i do
when i feel aimless
when i feel like everything is dragging pointlessly forward
and i remember being bright eyed and happy
as i got into idols for the first time
and saw hirate's face
determined and assertive and pensive
and i cried out to myself when she announced her departure
because i didn't know her long
but it felt like an eternity through their music alone
and i write this down now
because i wonder
when my bell will toll
and if it will be on my own terms
or if those are just the lucky ones
and i wonder now,
does anyone have to ring the bell?
do we have to meet our ends on such sad terms?
i guess maybe not from outside the industry
but it's a sad fate to think about
sad enough to write about a song
for the funeral of an idol group
requiem aeternam / good bye, good girl (original, 2024-05-20, 640 words)
or: i wrote while listening to one of my dark fan tapes
the hot sting of morning coffee on my lips, then my tongue.
the loud, sudden crackle of the receiver when the aux makes contact,
then the quiet pop of the tape deck when the music begins playback.
water breaching my lips, tablets down my throat,
one after the other,
ringing hollow in my insides,
echoing their lament until I feel their sunken cries,
the loneliness of being the only one correct,
the one to correct,
the solitude in having to make things right,
for those who only know discord.
"and she burned the sky"
is what a woman sings,
her words hushed and whispered,
but made a demand through the mesh speakers,
desperate hushes turned to solemn orders,
and burning the sky is what I dream of doing,
in my worst moments,
when I want only to destroy the visages of myself seen only by the deception above the water,
and the distorted, torn semblance of me reflected in the river,
my hands on the railing,
my stance leaning forward,
my head tilted downward,
my face masked and covered but the chills of the river wind parting
through the gaps it could find,
until I push off, all torn asunder,
but the veneer of me remains in the water,
even as I walk away,
quiet and rippling in the waves,
the sound akin to that of tape static in my ears,
no longer calming,
all hiss and hollowness.
and another woman proclaims now,
that the devil is in her,
against slamming,
ominous,
rolling waves of electric guitar,
crackling, distorted semblances of radio noise over her voice,
as she rambles and cries out her despair,
and I know how she feels,
I think,
sitting at my computer,
feeling nothing but the spring wind through the window,
nothing but the shake and bounce of my knee against the floor,
trinkets along my desk shaking with it,
shaking in time with the rollicking, angry drums.
I think,
now,
that she is right, that the devil is in her,
for the four or so minutes that the song lasts for,
and I wish to embody that kind of emotion,
that genuine, true posturing,
that only a real artist could muster in performance.
I hear now,
ominous strings,
quiet, sharp cries from another new woman,
in this next track,
drums slamming and echoing like trees having fallen in a forest,
and I wish to be possessed by the kind of spirit of this song,
in my most despondent moments,
so that when those moments come,
when I am at my most useless,
most quiet, but sharpest,
words all rusted blades,
but still blades in the end,
still finding some use even so brittle, so dark,
that when these moments come,
there will still remain a use for these thoughts,
the storm clouds brewing over my head,
darkening my eyes,
time slowed,
my arms heavy,
as I carry the weight of eternal unforgiveness.
and when I’ve finally gone and lost it,
my life or my mind,
whichever comes first,
while I lay in that bed,
crystal white sheets stained by sweat and diseased, twitching legs,
rigor mortis taking place,
I want you to cast my dreams onto a screen
and show the world what I was made of,
all rotten, mangled, bits of flesh escaping,
taken flight over the ruin of my body,
so everyone would see what I was truly made of,
coffee stained teeth, too sharp for the inside of my cheeks,
twig-like arms,
as I return to the forest of my dreams for the final time,
leaves sprouting in the places where blood escaped from me each time it had the chance,
with the gentle slice of a surgeon’s precise needle,
or the splice between my weightless legs,
leaves taking the place of each spot,
making homes from the most blasphemous of houses.
as always, you can find both works on superlove as well: funeral pyre, requiem aeternam / good bye, good girl. i haven't yet decided where else to post these poems on dreamwidth, but i'm starting to think they're fine in this journal, even though i've always wanted to separate my creative output from this journal. these poems are so often personal in some way that they feel too close to me to divorce from my main journal and sequester into their own unseen, obscure little dreamwidth comms with muddled aesthetics. so yeah! hope you enjoyed these!